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Reclaiming Karbala studies the emergence and formation of a viable Muslim identity in Bengal over the late-nineteenth century and into the 1940s.
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Reclaiming Karbala studies the emergence and formation of a viable Muslim identity in Bengal over the late-nineteenth century and into the 1940s.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 346
- Erscheinungstermin: 18. Mai 2023
- Englisch
- ISBN-13: 9781000531671
- Artikelnr.: 67850549
- Verlag: Taylor & Francis
- Seitenzahl: 346
- Erscheinungstermin: 18. Mai 2023
- Englisch
- ISBN-13: 9781000531671
- Artikelnr.: 67850549
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Epsita Halder is Associate Professor of Comparative Literature, Jadavpur University, India. She was Visiting Fellow at Max-Weber Kollege, University of Erfurt, Germany, and at the School of Oriental and African Studies, University of London, UK.
List of Figures Acknowledgements A Note on Transliteration and Other Conventions List of Abbreviations Introduction: Situating Karbala in Bengal Chapter 1: Mapping Karbala from orality to print Prologue 1.1 Creative application of Islamic ideas in early modern Bengal 1.1.1 Karbala in the Bengal region 1.1.2 Translation/rewriting as intertextuality, narrative as speech act 1.2 Dobh
sh
: The language of the popular 1.2.1 From recitation to reading: At the threshold 1.2.2 How cheap, how scriptural: The internal ambivalence of Dobh
sh
1.3 Oral forms, scripted format: Whatever happened to the performative? 1.4 Writing as sacred ritual: Turning pain from body to book Conclusion Chapter 2: Print and Husayn-Centric Piety Prologue 2.1 New sober Islam and the new authors 2.1.1 Sunna and mähab: Two elements of reformist sensibilities 2.1.2 From pir-centric piety to Prophet-centric piety: Muhammad as the moral template 2.2 The Caliphate and the ahl ul-bayt: Two legacies of Muhammad and his intercession 2.2.3 Namaz and the ahl ul-bayt: Muhammad's twin treasures 2.3 Fatima, the mother of the martyrs: The template of Sabr Conclusion Chapter 3: The Rhetoric of Loss and Recovery: The Moment of Muslim j
t
yat
Prologue 3.1 The beginning of j
t
at
: Bengaliness and Muslimness 3.1.1 The j
t
a between Syed Ameer Ali and Jam
ludd
n al-Afgh
n
3.1.2 Anjumans, periodicals and the new print network: Affiliation, alliance and antagonism 3.2 Talking back to the Evangelists and Orientalists: Jesus versus Muhammad 3.3 The Bangla-Urdu divide: Bengali Muslims between region and nation 3.4 Literariness of j
t
a s
hitya Conclusion Chapter 4: The Recovery of the Past: History and Biography Prologue 4.1 A Hindu nationalist script and the Muslim j
t
a 4.1.1 The search for j
t
a: Territorial expansion and authentication 4.1.2 Writing the history of the sacred: Between Medina and Mymensingh 4.2 J
ban
/Carit as a modern genre: The contributions of Girishchandra Sen 4.3 Writing j
t
a Itih
s and j
ban
as modern literature: Between the rational and the miraculous 4.4 Other histories and other biographies: Between the pan-Islamic and the province 4.5 Ummah, succession and the Karbala in j
t
a sahitya Conclusion Chapter 5: Literature, Modernity, Multilinguality Prologue 5.1 Mi
ra Bangla: Linguistic identity-in-difference 5.1.1 Reformist Islam and the claims over Bangla language:
hle H
dis, Isl
m Dar
an, Bäg
a Mussalm
n S
hitya Patrik
5.1.2 Bangla as mi
ra bh
sh
in Muslim multilingualism 5.1.3 Redefining literary modernity: Recovery of puthis, discovery of folk 5.2 Karbala: Intra-literary reception and rejection 5.2.1 Narrative as argumentative discourse: Moh
rram K
nda 5.2.2 From Mah
mä
n K
bya to Maharam
ar
ph b
tma-bisarjan K
bya: Kaykobad and Karbala 5.3 Poetry as Kaiphi
at: K
rb
l
K
bya and Maharam
ariph Conclusion Afterword: 300 Karbalas and Beyond Bibliography Index
sh
: The language of the popular 1.2.1 From recitation to reading: At the threshold 1.2.2 How cheap, how scriptural: The internal ambivalence of Dobh
sh
1.3 Oral forms, scripted format: Whatever happened to the performative? 1.4 Writing as sacred ritual: Turning pain from body to book Conclusion Chapter 2: Print and Husayn-Centric Piety Prologue 2.1 New sober Islam and the new authors 2.1.1 Sunna and mähab: Two elements of reformist sensibilities 2.1.2 From pir-centric piety to Prophet-centric piety: Muhammad as the moral template 2.2 The Caliphate and the ahl ul-bayt: Two legacies of Muhammad and his intercession 2.2.3 Namaz and the ahl ul-bayt: Muhammad's twin treasures 2.3 Fatima, the mother of the martyrs: The template of Sabr Conclusion Chapter 3: The Rhetoric of Loss and Recovery: The Moment of Muslim j
t
yat
Prologue 3.1 The beginning of j
t
at
: Bengaliness and Muslimness 3.1.1 The j
t
a between Syed Ameer Ali and Jam
ludd
n al-Afgh
n
3.1.2 Anjumans, periodicals and the new print network: Affiliation, alliance and antagonism 3.2 Talking back to the Evangelists and Orientalists: Jesus versus Muhammad 3.3 The Bangla-Urdu divide: Bengali Muslims between region and nation 3.4 Literariness of j
t
a s
hitya Conclusion Chapter 4: The Recovery of the Past: History and Biography Prologue 4.1 A Hindu nationalist script and the Muslim j
t
a 4.1.1 The search for j
t
a: Territorial expansion and authentication 4.1.2 Writing the history of the sacred: Between Medina and Mymensingh 4.2 J
ban
/Carit as a modern genre: The contributions of Girishchandra Sen 4.3 Writing j
t
a Itih
s and j
ban
as modern literature: Between the rational and the miraculous 4.4 Other histories and other biographies: Between the pan-Islamic and the province 4.5 Ummah, succession and the Karbala in j
t
a sahitya Conclusion Chapter 5: Literature, Modernity, Multilinguality Prologue 5.1 Mi
ra Bangla: Linguistic identity-in-difference 5.1.1 Reformist Islam and the claims over Bangla language:
hle H
dis, Isl
m Dar
an, Bäg
a Mussalm
n S
hitya Patrik
5.1.2 Bangla as mi
ra bh
sh
in Muslim multilingualism 5.1.3 Redefining literary modernity: Recovery of puthis, discovery of folk 5.2 Karbala: Intra-literary reception and rejection 5.2.1 Narrative as argumentative discourse: Moh
rram K
nda 5.2.2 From Mah
mä
n K
bya to Maharam
ar
ph b
tma-bisarjan K
bya: Kaykobad and Karbala 5.3 Poetry as Kaiphi
at: K
rb
l
K
bya and Maharam
ariph Conclusion Afterword: 300 Karbalas and Beyond Bibliography Index
List of Figures Acknowledgements A Note on Transliteration and Other Conventions List of Abbreviations Introduction: Situating Karbala in Bengal Chapter 1: Mapping Karbala from orality to print Prologue 1.1 Creative application of Islamic ideas in early modern Bengal 1.1.1 Karbala in the Bengal region 1.1.2 Translation/rewriting as intertextuality, narrative as speech act 1.2 Dobh
sh
: The language of the popular 1.2.1 From recitation to reading: At the threshold 1.2.2 How cheap, how scriptural: The internal ambivalence of Dobh
sh
1.3 Oral forms, scripted format: Whatever happened to the performative? 1.4 Writing as sacred ritual: Turning pain from body to book Conclusion Chapter 2: Print and Husayn-Centric Piety Prologue 2.1 New sober Islam and the new authors 2.1.1 Sunna and mähab: Two elements of reformist sensibilities 2.1.2 From pir-centric piety to Prophet-centric piety: Muhammad as the moral template 2.2 The Caliphate and the ahl ul-bayt: Two legacies of Muhammad and his intercession 2.2.3 Namaz and the ahl ul-bayt: Muhammad's twin treasures 2.3 Fatima, the mother of the martyrs: The template of Sabr Conclusion Chapter 3: The Rhetoric of Loss and Recovery: The Moment of Muslim j
t
yat
Prologue 3.1 The beginning of j
t
at
: Bengaliness and Muslimness 3.1.1 The j
t
a between Syed Ameer Ali and Jam
ludd
n al-Afgh
n
3.1.2 Anjumans, periodicals and the new print network: Affiliation, alliance and antagonism 3.2 Talking back to the Evangelists and Orientalists: Jesus versus Muhammad 3.3 The Bangla-Urdu divide: Bengali Muslims between region and nation 3.4 Literariness of j
t
a s
hitya Conclusion Chapter 4: The Recovery of the Past: History and Biography Prologue 4.1 A Hindu nationalist script and the Muslim j
t
a 4.1.1 The search for j
t
a: Territorial expansion and authentication 4.1.2 Writing the history of the sacred: Between Medina and Mymensingh 4.2 J
ban
/Carit as a modern genre: The contributions of Girishchandra Sen 4.3 Writing j
t
a Itih
s and j
ban
as modern literature: Between the rational and the miraculous 4.4 Other histories and other biographies: Between the pan-Islamic and the province 4.5 Ummah, succession and the Karbala in j
t
a sahitya Conclusion Chapter 5: Literature, Modernity, Multilinguality Prologue 5.1 Mi
ra Bangla: Linguistic identity-in-difference 5.1.1 Reformist Islam and the claims over Bangla language:
hle H
dis, Isl
m Dar
an, Bäg
a Mussalm
n S
hitya Patrik
5.1.2 Bangla as mi
ra bh
sh
in Muslim multilingualism 5.1.3 Redefining literary modernity: Recovery of puthis, discovery of folk 5.2 Karbala: Intra-literary reception and rejection 5.2.1 Narrative as argumentative discourse: Moh
rram K
nda 5.2.2 From Mah
mä
n K
bya to Maharam
ar
ph b
tma-bisarjan K
bya: Kaykobad and Karbala 5.3 Poetry as Kaiphi
at: K
rb
l
K
bya and Maharam
ariph Conclusion Afterword: 300 Karbalas and Beyond Bibliography Index
sh
: The language of the popular 1.2.1 From recitation to reading: At the threshold 1.2.2 How cheap, how scriptural: The internal ambivalence of Dobh
sh
1.3 Oral forms, scripted format: Whatever happened to the performative? 1.4 Writing as sacred ritual: Turning pain from body to book Conclusion Chapter 2: Print and Husayn-Centric Piety Prologue 2.1 New sober Islam and the new authors 2.1.1 Sunna and mähab: Two elements of reformist sensibilities 2.1.2 From pir-centric piety to Prophet-centric piety: Muhammad as the moral template 2.2 The Caliphate and the ahl ul-bayt: Two legacies of Muhammad and his intercession 2.2.3 Namaz and the ahl ul-bayt: Muhammad's twin treasures 2.3 Fatima, the mother of the martyrs: The template of Sabr Conclusion Chapter 3: The Rhetoric of Loss and Recovery: The Moment of Muslim j
t
yat
Prologue 3.1 The beginning of j
t
at
: Bengaliness and Muslimness 3.1.1 The j
t
a between Syed Ameer Ali and Jam
ludd
n al-Afgh
n
3.1.2 Anjumans, periodicals and the new print network: Affiliation, alliance and antagonism 3.2 Talking back to the Evangelists and Orientalists: Jesus versus Muhammad 3.3 The Bangla-Urdu divide: Bengali Muslims between region and nation 3.4 Literariness of j
t
a s
hitya Conclusion Chapter 4: The Recovery of the Past: History and Biography Prologue 4.1 A Hindu nationalist script and the Muslim j
t
a 4.1.1 The search for j
t
a: Territorial expansion and authentication 4.1.2 Writing the history of the sacred: Between Medina and Mymensingh 4.2 J
ban
/Carit as a modern genre: The contributions of Girishchandra Sen 4.3 Writing j
t
a Itih
s and j
ban
as modern literature: Between the rational and the miraculous 4.4 Other histories and other biographies: Between the pan-Islamic and the province 4.5 Ummah, succession and the Karbala in j
t
a sahitya Conclusion Chapter 5: Literature, Modernity, Multilinguality Prologue 5.1 Mi
ra Bangla: Linguistic identity-in-difference 5.1.1 Reformist Islam and the claims over Bangla language:
hle H
dis, Isl
m Dar
an, Bäg
a Mussalm
n S
hitya Patrik
5.1.2 Bangla as mi
ra bh
sh
in Muslim multilingualism 5.1.3 Redefining literary modernity: Recovery of puthis, discovery of folk 5.2 Karbala: Intra-literary reception and rejection 5.2.1 Narrative as argumentative discourse: Moh
rram K
nda 5.2.2 From Mah
mä
n K
bya to Maharam
ar
ph b
tma-bisarjan K
bya: Kaykobad and Karbala 5.3 Poetry as Kaiphi
at: K
rb
l
K
bya and Maharam
ariph Conclusion Afterword: 300 Karbalas and Beyond Bibliography Index