Reconstructing Exhibitions in Art Institutions (eBook, ePUB)

Redaktion: Adamou, Natasha; Giebelhausen, Michaela

• Format: ePub

Produktbeschreibung

Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; Civil Rights movements and Black communities in Baltimore; reframing feminisms in USA; revisiting Cold War Modernisms in Eastern Europe among other themes.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 242
• Erscheinungstermin: 13. Juli 2023
• Englisch
• ISBN-13: 9781000905731
• Artikelnr.: 67886701

Autorenporträt

Natasha Adamou is a senior lecturer in Art History at the BA Culture, Criticism and Curation, Central Saint Martins, University of the Arts London. Previously she was a research fellow in Sculpture at the Henry Moore Foundation - British School at Rome (2015-2016), and an early career research fellow in Critical and Historical Studies at Kingston School of Art (2016-2018). Natasha specialises in modern and contemporary art, including exhibition histories, with an emphasis on histories of decolonisation and immigration. Her research focuses on neo-conceptual art and the lives of diasporas in Britain, especially with regard to conceptions of race, diversity, ecology and health. Michaela Giebelhausen is an independent scholar and associate lecturer at the Courtauld Institute of Art since 2020. Between 2014 and 2020, Michaela was a course leader at the BA Culture, Criticism and Curation, Central Saint Martins, University of the Arts London, and a senior lecturer in Art History at the School of Philosophy and Art History, University of Essex, until 2014.

Inhaltsangabe

Introduction: Reconstructing Exhibitions: Global Perspectives on Art
Institutions, Communities and Activism; Part 1. Institutions; 1. When
Competition Becomes Form: Exhibition Reconstructions and the Limits of
Institutional Self-Critique; 2. Other Primary Structures and the
Theatricality of Re-Staging Exhibitions; Part 2. Communities; 3 The
"Remembering Exhibitions" of South African Community Arts: Re-appraising
the Art of Resistance (Re-opening the archives of anti-apartheid art); 4.
The Reflexive Riff: Revisiting Contemporary Negro Art at the Baltimore
Museum of Art; 5. The Making of Tucumán Arde (1968), 1997-2012; Part 3.
Restaging Modernisms; 6. 15 Polish Painters (MoMA, 1961) Fifty-Five Years
Later' 7. Provenance Research: A New Perspective on Exhibitions from the
Past; 8. Copy as Container, Original as Content: "The Making of Modern Art"
at the Van Abbemuseum; Part 4. Counter-narratives; 9. Reading Between the
Lines: Locating the politics of Lucy Lippard's Six Years; 10.
Reconstructing Exhibitions in "Times of Interregnum"