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  • Format: ePub

How and why is pre-existing music used in films? What effects can its use have on films and audiences? And what lasting impact can appropriation have on the music? Reeled In is an exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike, in every role from 'main title theme' to 'music playing in bar'. Discussing factors like copyright and commerce alongside examination of texts and their effects, this significant contribution to the scholarship on music in screen media demonstrates that pre-existing music has unique…mehr

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Produktbeschreibung
How and why is pre-existing music used in films? What effects can its use have on films and audiences? And what lasting impact can appropriation have on the music? Reeled In is an exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike, in every role from 'main title theme' to 'music playing in bar'. Discussing factors like copyright and commerce alongside examination of texts and their effects, this significant contribution to the scholarship on music in screen media demonstrates that pre-existing music has unique attributes that can affect how filmmakers construct their works and how audiences receive them.


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Autorenporträt
Jonathan Godsall is Teaching Fellow in Music at Royal Holloway, University of London. He has also taught music at the University of Cambridge, the University of Bristol, Oxford Brookes University, Keele University, Plymouth University, and City, University of London. He was awarded his PhD from the University of Bristol in 2014, and has published on screen-music topics in journals and edited books, as well as presenting internationally. He is also a drummer and percussionist.