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A tale of departures within the life of Tony Andrews who turned into an art dealer at 22. Always a contrarian in battle with conventional wisdom and received opinion, he exhibits Contemporary Realism in the teeth of rampant Abstract Expressionism, within the roads of a long life, departures of abandonment, leave takings of his own, and deaths departures, too. Fred Croton considers himself a born-again novelist in a life well and ill spent. A writer for ten years, a first novel 'Wages of War' published in 2015 by Patecheny Press. His second, 'rehearsals for a departure' might be his last. But…mehr

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Produktbeschreibung
A tale of departures within the life of Tony Andrews who turned into an art dealer at 22. Always a contrarian in battle with conventional wisdom and received opinion, he exhibits Contemporary Realism in the teeth of rampant Abstract Expressionism, within the roads of a long life, departures of abandonment, leave takings of his own, and deaths departures, too. Fred Croton considers himself a born-again novelist in a life well and ill spent. A writer for ten years, a first novel 'Wages of War' published in 2015 by Patecheny Press. His second, 'rehearsals for a departure' might be his last. But who knows? Married to Selma Holo, brilliant art historian, museum director and writer, who abides with the patience of a job, they split time between Pasadena and a beach house in Southern California. Two sons, Christopher and Kevan living in Europe and a daughter who lives somewhere else.

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Autorenporträt
Fred Croton considers himself a born-again novelist in a life well and ill spent. A writer for ten years, a first novel "Wages of War" published in 2015 by Patecheny Press. His second, "rehearsals for a departure" might be his last. But who knows? Married to Selma Holo, brilliant art historian, museum director and writer, who abides with the patience of a job, they split time between Pasadena and a beach house in Southern California. Two sons, Christopher and Kevan living in Europe and a daughter who lives somewhere else.