Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This book breaks new ground in research on contemporary French and Spanish literature and studies on autobiography. Its appeal also extends beyond these fields to trauma and memory studies, and it shines a light on twenty-first-century works that have received little critical attention to date
This book breaks new ground in research on contemporary French and Spanish literature and studies on autobiography. Its appeal also extends beyond these fields to trauma and memory studies, and it shines a light on twenty-first-century works that have received little critical attention to date
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Hannie Lawlor is Associate Professor in Modern Spanish Literature and Film at Lady Margaret Hall and Somerville College, University of Oxford. Previously, she was Lecturer in Spanish at University College Dublin, and she holds a PhD from Wolfson College, Oxford. Her comparative research focuses on twentieth- and twenty-first-century Spanish women's prose and film and on twenty-first-century life narratives, and with Dr Alexandra Effe, she is co-editor of The Autofictional: Approaches, Affordances, Forms(Cham: Palgrave Macmillan, 2022).
Inhaltsangabe
* Dialogues in Twenty-First-Century Life Writing * Part One * 1: Traumatic Legacies and Narrative Claims: Rewriting Relations in Colombe Schneck's La Réparation (2012) and Juana Salabert's Velódromo de Invierno(2001) * 1.1: The Matter of Inheritance * 1.2: Relations, Repairs and Replacement in La Réparation * 1.3: Missing Fathers and Illegitimate Authors: Velódromo de Invierno * Displaced Subjects and Ventriloquised Voices: Intergenerational Relations and The Ethics of Representation in Dulce Chacón's La voz dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69 * 2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling the Other's Tale * 2.2: Magnified Stories, Minimised Voices: La voz dormida * 2.3: Pas pleurer: Speaking in (M)other Tongues * 2.4: Reciprocal Relations and the Ethics of Postmemory * Part Two * Legacy, Lineage and lignes de fuite: Intergenerational Transmission in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela Ybarra's El comensal (2015) * 3.1: (Dis)Connecting Traumatic Histories * 3.2: Lines of Flight in Sauve qui peut la vie * 3.3: Narrative Loops and Impending Returns in El comensal * 3.4: Images of Intergenerational Transmission * Burials, Exhumations, and Textual Tombs: Addressing the Other in Milena Busquets's También esto pasará (2015) and Sophie Daull's Camille, mon envolée (2015) * 4.1: The Function of Funerals * 4.2: Scattered Ashes in También esto pasará * 4.3: Constructing a Cenotaph: Camille, mon envolée * 4.4: Burial Shrouds in La Suture (2016) * 4.5: Ethical Reburials and Alternative Conversations * Part Three * Clashing Family Stories and Inconceivable Conversations: Christine Angot's Un amour impossible (2015) and Cristina Fallarás's Honrarás a tu padre y a tu madre (2018) * 5.1: Misalliance, Transmission and Incestuous Desire * 5.2: Illusory Exchanges in Un amour impossible * 5.3: Dialogues with the Dead: Honrarás a tu padre y a tu madre * 5.4: Contaminating Conversations * Writing Relational Lives * Bibliography
* Dialogues in Twenty-First-Century Life Writing * Part One * 1: Traumatic Legacies and Narrative Claims: Rewriting Relations in Colombe Schneck's La Réparation (2012) and Juana Salabert's Velódromo de Invierno(2001) * 1.1: The Matter of Inheritance * 1.2: Relations, Repairs and Replacement in La Réparation * 1.3: Missing Fathers and Illegitimate Authors: Velódromo de Invierno * Displaced Subjects and Ventriloquised Voices: Intergenerational Relations and The Ethics of Representation in Dulce Chacón's La voz dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69 * 2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling the Other's Tale * 2.2: Magnified Stories, Minimised Voices: La voz dormida * 2.3: Pas pleurer: Speaking in (M)other Tongues * 2.4: Reciprocal Relations and the Ethics of Postmemory * Part Two * Legacy, Lineage and lignes de fuite: Intergenerational Transmission in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela Ybarra's El comensal (2015) * 3.1: (Dis)Connecting Traumatic Histories * 3.2: Lines of Flight in Sauve qui peut la vie * 3.3: Narrative Loops and Impending Returns in El comensal * 3.4: Images of Intergenerational Transmission * Burials, Exhumations, and Textual Tombs: Addressing the Other in Milena Busquets's También esto pasará (2015) and Sophie Daull's Camille, mon envolée (2015) * 4.1: The Function of Funerals * 4.2: Scattered Ashes in También esto pasará * 4.3: Constructing a Cenotaph: Camille, mon envolée * 4.4: Burial Shrouds in La Suture (2016) * 4.5: Ethical Reburials and Alternative Conversations * Part Three * Clashing Family Stories and Inconceivable Conversations: Christine Angot's Un amour impossible (2015) and Cristina Fallarás's Honrarás a tu padre y a tu madre (2018) * 5.1: Misalliance, Transmission and Incestuous Desire * 5.2: Illusory Exchanges in Un amour impossible * 5.3: Dialogues with the Dead: Honrarás a tu padre y a tu madre * 5.4: Contaminating Conversations * Writing Relational Lives * Bibliography
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
