From faint-inducing supernatural horror films to the mythologies of science fiction, from midnight screenings that prompt the creation of new rituals to pilgrimages inspired by films, cinema and religious life are intertwined. Religion and Film seeks out the frames, foci, and bodily engagements that are central to both cinema and religious practices. By analyzing the ways films are made and experienced, S. Brent Plate sheds new light on the ways religious myths, rituals, and symbols are produced and used, and vice versa. This thoroughly expanded and revised edition includes new chapters that offer theories and methods for thinking about cinema in a manner that more fully connects film studies with religious studies. Attention is paid to the production of space, race, and gender on screen, as well as the afterlives of films and the sensual, bodily encounters at the altar and on the screen.
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