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The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration…mehr

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Produktbeschreibung
The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration (such as photographs and memorials), and theories of cultural memory. There is fresh analysis of canonical poets which, at the same time, challenges the confines of the canon by integrating discussion of lesser-known figures, including non-combatants and poets of later decades. The final chapter reaches beyond the war's centenary in a discussion of one remarkable commemoration of Wilfred Owen.

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Autorenporträt
Sally Minogue is a retired academic who is still writing. She has taught in both further and higher education. On retirement she was Principal Lecturer in English Literature at Canterbury Christ Church University. Her research interests have been eclectic, stretching from Philip Sidney's poetry to Alan Sillitoe's fiction. A common theme has been an interest in the demotic, as reflected both in colloquial language, and in the representation of working class life, in literature. This has informed her work with Andrew Palmer on First World War poetry.