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Remixing European Jazz Culture examines a jazz culture that emerged in the 1990s in cosmopolitan cities like Amsterdam, Rotterdam, Berlin, London, and Oslo-energized by the introduction of studio technologies into the live performance space, which has since developed into internationally-recognized, eclectic, hybrid jazz styles.
Remixing European Jazz Culture examines a jazz culture that emerged in the 1990s in cosmopolitan cities like Amsterdam, Rotterdam, Berlin, London, and Oslo-energized by the introduction of studio technologies into the live performance space, which has since developed into internationally-recognized, eclectic, hybrid jazz styles.
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Autorenporträt
Kristin McGee is Associate Professor in Popular Music in the Arts, Culture, and Media Department at the University of Groningen in the Netherlands.
Inhaltsangabe
Introduction Remixing European Jazz Culture: Historical Precedents, Methodological Approaches, and Theoretical Interventions / Chapter 1 Jazz in Post-War Europe: From Free Collectives to Electronic Jazz / Chapter 2 Blue Note Trips and Wicked Jazz Sounds: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene / Chapter 3 DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova / Chapter 4 Oslo's Jazzland Records: Finding Home in a New Conception of Jazz / Chapter 5 (Part I) The 'Revival of the Revival' or a Swing Dance Continuum? Mediascapes, Time-Machines, and Intercultural Encounters at the Herräng Dance Camp / Chapter 5 (Part II) Jazz Records, Dance Media, and Survival Technologies within Herräng's Professional Jazz Dance Network / Chapter 6 (Part I) Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing / Chapter 6 (Part II) (Re)Generating the Jazz Past in the Vintage Remix of Caravan Palace and Caro Emerald / Epilogue
Introduction Remixing European Jazz Culture: Historical Precedents, Methodological Approaches, and Theoretical Interventions / Chapter 1 Jazz in Post-War Europe: From Free Collectives to Electronic Jazz / Chapter 2 Blue Note Trips and Wicked Jazz Sounds: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene / Chapter 3 DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova / Chapter 4 Oslo's Jazzland Records: Finding Home in a New Conception of Jazz / Chapter 5 (Part I) The 'Revival of the Revival' or a Swing Dance Continuum? Mediascapes, Time-Machines, and Intercultural Encounters at the Herräng Dance Camp / Chapter 5 (Part II) Jazz Records, Dance Media, and Survival Technologies within Herräng's Professional Jazz Dance Network / Chapter 6 (Part I) Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing / Chapter 6 (Part II) (Re)Generating the Jazz Past in the Vintage Remix of Caravan Palace and Caro Emerald / Epilogue
Introduction Remixing European Jazz Culture: Historical Precedents, Methodological Approaches, and Theoretical Interventions / Chapter 1 Jazz in Post-War Europe: From Free Collectives to Electronic Jazz / Chapter 2 Blue Note Trips and Wicked Jazz Sounds: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene / Chapter 3 DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova / Chapter 4 Oslo's Jazzland Records: Finding Home in a New Conception of Jazz / Chapter 5 (Part I) The 'Revival of the Revival' or a Swing Dance Continuum? Mediascapes, Time-Machines, and Intercultural Encounters at the Herräng Dance Camp / Chapter 5 (Part II) Jazz Records, Dance Media, and Survival Technologies within Herräng's Professional Jazz Dance Network / Chapter 6 (Part I) Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing / Chapter 6 (Part II) (Re)Generating the Jazz Past in the Vintage Remix of Caravan Palace and Caro Emerald / Epilogue
Introduction Remixing European Jazz Culture: Historical Precedents, Methodological Approaches, and Theoretical Interventions / Chapter 1 Jazz in Post-War Europe: From Free Collectives to Electronic Jazz / Chapter 2 Blue Note Trips and Wicked Jazz Sounds: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene / Chapter 3 DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova / Chapter 4 Oslo's Jazzland Records: Finding Home in a New Conception of Jazz / Chapter 5 (Part I) The 'Revival of the Revival' or a Swing Dance Continuum? Mediascapes, Time-Machines, and Intercultural Encounters at the Herräng Dance Camp / Chapter 5 (Part II) Jazz Records, Dance Media, and Survival Technologies within Herräng's Professional Jazz Dance Network / Chapter 6 (Part I) Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing / Chapter 6 (Part II) (Re)Generating the Jazz Past in the Vintage Remix of Caravan Palace and Caro Emerald / Epilogue
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