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How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature during the period.

Produktbeschreibung
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature during the period.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
John Shannon Hendrix is a Professor of Architectural History at the University of Lincoln, UK, and a Lecturer at the Rhode Island School of Design and at Roger Williams University, USA.

Charles Carman is an Associate Professor of Art History at the University at Buffalo, USA.