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  • Format: PDF

Renaissance Transformations: The Making of English Writing 1500-1650 asserts the centrality of historical understanding in shaping critical vision. This collection of distinctive new essays explores the dynamic cultural, intellectual and social processes that moulded literary writing in the Renaissance. Acutely attentive to the complexities that we confront in our attempts to understand the past, this book explores important relations among literary form, material and imaginative culture which compel our attention in the twenty-first century. Addressing three crucial areas at the forefront of…mehr

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Produktbeschreibung
Renaissance Transformations: The Making of English Writing 1500-1650 asserts the centrality of historical understanding in shaping critical vision. This collection of distinctive new essays explores the dynamic cultural, intellectual and social processes that moulded literary writing in the Renaissance. Acutely attentive to the complexities that we confront in our attempts to understand the past, this book explores important relations among literary form, material and imaginative culture which compel our attention in the twenty-first century. Addressing three crucial areas at the forefront of current academic inquiry - 'Making Writing: Form, Rhetoric and Print Culture', 'Shaping Communities: Textual Spaces, Mapping History' and 'Embodying Change: Psychic and Somatic Performances' - this innovative, timely volume is of fundamental importance to all those who study and teach Renaissance literature, history and culture. Contributors are Danielle Clarke, Andrew Hadfield, Margaret Healy, Thomas Healy, Bernhard Klein, Michelle O'Callaghan, Neil Rhodes, Jennifer Richards Michael Schoenfeldt, William Sherman, Alan Stewart, and Susan Wiseman.

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Autorenporträt
Margaret Healy is Director of the Centre for Early Modern Studies at the University of Sussex. She is the author of Fictions of Disease in Early Modern England: Bodies, Plagues and Politics and is currently completing Shakespeare's Sonnets and 'A Lovers Complaint', Alchemy and the Creative Imagination. Thomas Healy is Professor of Renaissance Studies and Head of the School of English at the University of Sussex. He is the author of books on Crashaw, Marlowe, and on Theory and Renaissance Literature. He is completing The English Boat: The Poetics of Sectarianism in Early Modern England.