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Representing Emotions juxtaposes artistic and musical representations of emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century. Representing Emotions also explores the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. The essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy), disrupt established frameworks within the histories of art, music and medicine and…mehr

Produktbeschreibung
Representing Emotions juxtaposes artistic and musical representations of emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century. Representing Emotions also explores the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. The essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy), disrupt established frameworks within the histories of art, music and medicine and challenge traditional narrative accounts. Larger historical forces come into perspective, as chapters suggest how both artistic and scientific representations of the emotions have been implemented in political, social and religious struggles, at a variety of different levels.

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Autorenporträt
Penelope Gouk, Emerita, University of Manchester. Her recent publications include Musical Healing in Cultural Contexts, and she is currently writing about changing medical explanations for music's effects between the Renaissance and Enlightenment. Helen Hills is Professor of Art History at the University of York, UK. She has published widely on seventeenth-century Italian architecture, including Invisible City: the architecture of devotion in aristocratic convents in baroque Naples, and is the editor of Architecture and the Politics of Gender in Early Modern Europe.