Researching Live Music (eBook, ePUB)

Gigs, Tours, Concerts and Festivals
Redaktion: Anderton, Chris; Pisfil, Sergio

• Format: ePub

Produktbeschreibung

Researching Live Music offers an important contribution to the emergent field of live music studies, a field which has, over the past ten years, seen a steady growth in publications that examine the history of live music venues and promoters, the economics of the live music industry, and the operations of the sector.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 272
• Erscheinungstermin: 17. November 2021
• Englisch
• ISBN-13: 9781000476163
• Artikelnr.: 62653183

Autorenporträt

Chris Anderton is Associate Professor in Cultural Economy at Solent University, Southampton. He is the author of Music Festivals in the UK: Beyond the Carnivalesque (2019) and co-author of both Understanding the Music Industries (2013) and Music Management, Marketing and PR: Creating Connections and Conversations (forthcoming). He is also co-editor of Media Narratives in Popular Music (forthcoming) and has guest edited issues of the journals Rock Music Studies and Arts and the Market. Sergio Pisfil is a Lecturer and researcher at Universidad Peruana de Ciencias Aplicadas. His PhD, gained at the University of Edinburgh under the supervision of Simon Frith, focused on the history of live sound and its connections to rock music between 1967 and 1973. His research interests include live music, and the history and esthetics of popular music. His work has been published in various edited collections, including The Bloomsbury Handbook of Rock Music Research, Gender in Music Production, and the forthcoming Oxford Handbook of Progressive Rock; and in journals such as Popular Music and Society and Communiquer (forthcoming). He is currently guest editing a special issue on live music for the journal Arts and the Market.

Inhaltsangabe

List of illustrations

List of contributors

Acknowledgments

Live Music Studies in Perspective



Chris Anderton and Sergio Pisfil



PART I: Promotion

1. Festivals, Free and Unfree: Alex Cooley and the American Rock Festival




Steve Waksman




2. As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter


Danny Hagan




3. Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies




Pat O'Grady




4. Showcase Festivals as a Gateway to Foreign Markets




Patryk Galuszka




5. Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality




Chris Anderton



PART II: Production


6. Live Sound Matters




Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder




7. Mobile Spectacle: Es Devlin's Pandemonium Tour Design




Glyn Davis




8. Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain




Gabrielle Kielich




9. Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts




Kimi Kärki



Part III: Consumption


10. Making Music Public: What Would a Sociology of Live Music Promotion Look Like?




Loïc Riom




11. Dead Stars Live: Exploring Holograms, Liveness, and Authenticity




Kenny Forbes




12. Live ... as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance




Andy Bennett




13. Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive




Stephen Loy



Part IV: Policy


14. Music Cities, or Cities of Music?




Christina Ballico and Dave Carter




15. State of Play: Tensions and Interventions in Live Music Policy




Adam Behr




16. "Por Más Músicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals




Sarah Lahasky




17. Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy

Gérôme Guibert, Michaël Spanu, and Catherine Rudent



Index