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This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society.
This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society.
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Autorenporträt
Laura Lohman is Professor of Music and Director at Queens University of Charlotte. Her previous publications in music include Umm Kulthum: Artistic Agency and the Shaping of an Arab Legend, 1967-2007 (2010) and Hail Columbia! American Music and Politics in the Early Nation (2020).
Inhaltsangabe
Introduction David K. Hildebrand and Laura Lohman Part I Interpreting Material Objects of Music and Dance Culture 1. Early American Secular Music and Its European Sources, 1589-1839: An Index Raoul F. Camus 2. Aaron Thompson, His Book of Notes: First American Transcription of Five Country Dances From the Revolutionary War era Richard C. Spicer 3. A Scrapbooking President and a Few Good Tunes: Researching Early American Musical Practices through the Jefferson-Randolph Family Scrapbooks Laura Lohman Part II Situating Dance and Its Music in Early American Society 4. Keller's Approach: New Perspectives in Dance History Heather Blasdale Clarke 5. Successful Campaigns: The Commercialization of Leisure and Self-Presentation in Early America Graham Christian 6. Mozart, America's First Waltz-King Michael Broyles Part III Research and Contemporary Performance 7. A Practical Guide for Recreating Early American Music: Thoughts after 40 Years in the Trenches David K. Hildebrand 8. Soundscapes of Tradition: Ancient Fifing and Drumming and the Embodiment of Place in the Connecticut River Valley Timothy Murray 9. Imagining Colonial America and the Early Republic in Musical Theater: Historical Tensions and Creative Possibilities in Dearest Enemy (1925) and Hamilton (2015) William A. Everett Conclusion Laura Lohman, David K. Hildebrand, and Heather Blasdale Clarke Postlude Robert M. Keller, Anne Keller Geraci, and Margaret Keller Dimock
Introduction David K. Hildebrand and Laura Lohman Part I Interpreting Material Objects of Music and Dance Culture 1. Early American Secular Music and Its European Sources, 1589-1839: An Index Raoul F. Camus 2. Aaron Thompson, His Book of Notes: First American Transcription of Five Country Dances From the Revolutionary War era Richard C. Spicer 3. A Scrapbooking President and a Few Good Tunes: Researching Early American Musical Practices through the Jefferson-Randolph Family Scrapbooks Laura Lohman Part II Situating Dance and Its Music in Early American Society 4. Keller's Approach: New Perspectives in Dance History Heather Blasdale Clarke 5. Successful Campaigns: The Commercialization of Leisure and Self-Presentation in Early America Graham Christian 6. Mozart, America's First Waltz-King Michael Broyles Part III Research and Contemporary Performance 7. A Practical Guide for Recreating Early American Music: Thoughts after 40 Years in the Trenches David K. Hildebrand 8. Soundscapes of Tradition: Ancient Fifing and Drumming and the Embodiment of Place in the Connecticut River Valley Timothy Murray 9. Imagining Colonial America and the Early Republic in Musical Theater: Historical Tensions and Creative Possibilities in Dearest Enemy (1925) and Hamilton (2015) William A. Everett Conclusion Laura Lohman, David K. Hildebrand, and Heather Blasdale Clarke Postlude Robert M. Keller, Anne Keller Geraci, and Margaret Keller Dimock
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