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This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Covering popular music from around the globe, contributors approach the topic through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history, visiting genres including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and 19th-century minstrelsy. This book will be of interest to fields including Popular Music Studies, Gender and Sexuality Studies, Performance Studies, Queer Studies, and Sound Studies.

Produktbeschreibung
This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Covering popular music from around the globe, contributors approach the topic through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history, visiting genres including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and 19th-century minstrelsy. This book will be of interest to fields including Popular Music Studies, Gender and Sexuality Studies, Performance Studies, Queer Studies, and Sound Studies.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Gavin S.K. Lee is Assistant Professor at Soochow University School of Music in China. He completed his doctoral studies at Duke University on avant-garde music in Singapore, and his core research interests include postcolonial theory, affect theory, queer theory, global modernity and modernism, and the Sinophone world. Lee's research is published in Journal of the Royal Musical Association, Music Analysis (forthcoming), and in a book funded by the Singapore National Arts Council, Scions of the Musical West.