By framing Ford's contemporary representations of masculinity within a more general context of American literature, this book reveals how his texts continue along a trajectory of earlier American fiction while they also re-examine masculinity in new, more complex ways. Richard Ford and the Fiction of Masculinities contributes to the much-needed revision of men and masculinities in U. S. literature, and especially Richard Ford's fiction, where constructions of gender and masculinity remain, paradoxically enough, largely unexplored.
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«Josep M. Armengol intertwines his broad knowledge of literary criticism with a deep scholarly interest in gender theory, producing a text that provides innovative reflection on his own twin passions - literature and masculinity. The interest and originality of this book is the complexity and nuance that constitutes Armengol's probing analysis of Ford's style, characterization, language and plot, especially his focus on the ways in which the power and privileges attending men's habitual performances and identifications are at all times shadowed by and imbricated with the ever more insecure, fragile nature of contemporary 'masculinity.' ... Armengol provides a definitive overview of the depictions of gender relations, male bonding, and sexuality that pervade Ford's fiction.» (Lynne Segal, Anniversary Professor of Psychology and Gender Studies, School of Psychosocial Studies, Birkbeck College, University of London; Author of' Slow Motion: Changing Masculinities, Changing Men '(1990))