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'This collection of essays offers ample evidence that our fascination with Wagner and his works continues unabated across the millennial divide, both in the popular and the scholarly realms.The papers in this collection focus primarily on Wagner's still disturbing anti-Semitism, and on crucial aspects of his formidable compositional technique associative musical themes, harmonic and tonal structure, and formal structure.Both cultural historians and musical scholars will find much of interest here.' - Patrick McCreless, Yale University