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This magnificent Pulitzer Prize-winning history, told primarily from the Japanese viewpoint, traces the dramatic fortunes of the Empire of the Sun from the invasion of Manchuria to the dropping of the atomic bombs, demolishing many myths surrounding this catastrophic conflict.Why did the dawn attack on Pearl Harbor occur? Was was inevitable? Was the Emperor a puppet or a warmonger? And, finally, what inspired the barbaric actions of those who fought, and who speak here of the unspeakable - murder, cannibalism and desertion? 'Unbelievably rich ... Readable and exciting' Newsweek'The most…mehr

Produktbeschreibung
This magnificent Pulitzer Prize-winning history, told primarily from the Japanese viewpoint, traces the dramatic fortunes of the Empire of the Sun from the invasion of Manchuria to the dropping of the atomic bombs, demolishing many myths surrounding this catastrophic conflict.Why did the dawn attack on Pearl Harbor occur? Was was inevitable? Was the Emperor a puppet or a warmonger? And, finally, what inspired the barbaric actions of those who fought, and who speak here of the unspeakable - murder, cannibalism and desertion? 'Unbelievably rich ... Readable and exciting' Newsweek'The most readable, yet informative account of the Pacific War' Chicago Sunday Times

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
John Toland (1912-2004) was one of the most respected and widely read historians of the twentieth century, known for writing without analysis or judgment and allowing the characters and their actions to speak for themselves. He was the author of two novels, a memoir, and more than a dozen works of nonfiction, including Adolf Hitler: The Definitive Biography and The Rising Sun: The Decline and Fall of the Japanese Empire, 1936-1945, which won the Pulitzer Prize in 1971. Upon its original publication in 1991, In Mortal Combat: Korea, 1950-1953 was hailed by the New York Times for its "panoramic" scope and its skill in presenting "the soldier's-eye view of the war."