Combining social, cultural, and political history, Kerr-Ritchie discusses the ideological and cultural representations of August First Day in print, oratory, and visual images. Spanning the Western hemisphere, Kerr-Ritchie's study successfully unravels the cultural politics of emancipation celebrations, analyzing the social practices informed by public ritual, symbol, and spectacle designed to elicit feelings of common identity among blacks in the Atlantic World. Rites of August First shows how and why the commemorative events changed between British emancipation and the freeing of slaves in the United States a generation later, while also examining the connections among local, regional, and international commemorations.
While shedding light on an important black institution that has been long ignored, Rites of August First also contributes to the broader study of emancipation and black Atlantic identity. Its transnational approach challenges local and national narratives that have largely shaped previous investigations of these questions. Kerr-Ritchie shows how culture and community were truly political at this important historical moment and, most broadly, how politics and culture converge and profoundly influence each other.
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