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"Starting with strikingly original readings of Eadweard Muybridge s motion studies and of various silent films that depict automobile journeys, Orgeron s Road Movies argues that the cinema s analogous relation to the automobile as turn of the 20th century technologies of transportation and entertainment spectacle is in many cases an inverse one, as accelerated forward motion often leads to disaster, with equilibrium only recuperated with an abandonment of automobility and a return to the safely rooted domestic sphere. Throughout the rest of the book, he again and again disputes the accepted wisdom that the road equals an existential freedom and points to countervailing discourses in even such iconic road texts as Easy Rider, discourses that point to the way the road promotes the fragmenting of community and the negation of language as a meaningful medium of connectionand communication. A daring and provocative study." - Ina Rae Hark, University of South Carolina; Co-editor of The Road Movie Book