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Employing an interdisciplinary approach, this book breaks new ground by considering how Robert Motherwell's abstract expressionist art is indebted to Alfred North Whitehead's highly original process metaphysics.
Employing an interdisciplinary approach, this book breaks new ground by considering how Robert Motherwell's abstract expressionist art is indebted to Alfred North Whitehead's highly original process metaphysics.
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Autorenporträt
Robert Hobbs has served as associate professor at Cornell University and long-term visiting professor at Yale University; he has also held the Thalhimer Endowed Chair of American Art at Virginia Commonwealth University.
Inhaltsangabe
1. Introduction
2. Robert Motherwell, Harvard, and Alfred North Whitehead
3. Motherwell's Whitehead: The Felt Quality of Reality
4. Surrealism's Psychic Automatism, Motherwell's Plastic Automatism, and Whitehead's Process
5. Motherwell's Collage Aesthetic
6. Whitehead's Process and Susanne K. Langer's Symbol
7. Conclusion: Material Means, Immaterial Results
Appendix A: Metaphors as Whiteheadian Prehensive Tools
Appendix B: Intimacy and Ideology: Stéphane Mallarmé's Materiality and Louis Althusser's Aboutness
Appendix C: Dore Ashton: The Arabesque
1. Introduction 2. Robert Motherwell, Harvard, and Alfred North Whitehead 3. Motherwell's Whitehead: The Felt Quality of Reality 4. Surrealism's Psychic Automatism, Motherwell's Plastic Automatism, and Whitehead's Process 5. Motherwell's Collage Aesthetic 6. Whitehead's Process and Susanne K. Langer's Symbol 7. Conclusion: Material Means, Immaterial Results Appendix A: Metaphors as Whiteheadian Prehensive Tools Appendix B: Intimacy and Ideology: Stéphane Mallarmé's Materiality and Louis Althusser's Aboutness Appendix C: Dore Ashton: The Arabesque
2. Robert Motherwell, Harvard, and Alfred North Whitehead
3. Motherwell's Whitehead: The Felt Quality of Reality
4. Surrealism's Psychic Automatism, Motherwell's Plastic Automatism, and Whitehead's Process
5. Motherwell's Collage Aesthetic
6. Whitehead's Process and Susanne K. Langer's Symbol
7. Conclusion: Material Means, Immaterial Results
Appendix A: Metaphors as Whiteheadian Prehensive Tools
Appendix B: Intimacy and Ideology: Stéphane Mallarmé's Materiality and Louis Althusser's Aboutness
Appendix C: Dore Ashton: The Arabesque
1. Introduction 2. Robert Motherwell, Harvard, and Alfred North Whitehead 3. Motherwell's Whitehead: The Felt Quality of Reality 4. Surrealism's Psychic Automatism, Motherwell's Plastic Automatism, and Whitehead's Process 5. Motherwell's Collage Aesthetic 6. Whitehead's Process and Susanne K. Langer's Symbol 7. Conclusion: Material Means, Immaterial Results Appendix A: Metaphors as Whiteheadian Prehensive Tools Appendix B: Intimacy and Ideology: Stéphane Mallarmé's Materiality and Louis Althusser's Aboutness Appendix C: Dore Ashton: The Arabesque
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