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"Even though the book is titled Romantic Hellenism and Women Writers (my emphasis), one of Comet's strengths is to distinguish the women from one another, showcasing each as a singularly individual author in a series of case study chapters... Most intriguing to me was Comet's workon Letitia Elizabeth Landon... He performs an especially fine reading of her poem 'The Thessalian Fountain' (1835) and, aware that it is unfamiliar and hard to find, includes a copy of it and two other Landon poems in an appendix... Of particular interest will be Comet's findings on women's print culture of 1820s and -30s England... What Comet unearths in the periodical archives is no less than a curriculum for a public classical education; in his first (and in some ways
most innovative) chapter he 'reconstruct[s] a syllabus' for this educational programme and 'interpret[s] the pedagogy that informed it' (19)." Amy Muse, SHARP News