Romanticism, Sincerity and Authenticity (eBook, PDF)

• Format: PDF

Produktbeschreibung

The categories of authenticity and sincerity, treated sceptically since the early twentieth century, remain indispensable for the study of Romantic literature and culture. This book, focusing on authors including Wordsworth, Macpherson and Austen, highlights their complexities, showing how they can become meaningful to current critical debates.

Produktdetails

• Verlag: Palgrave Macmillan UK
• Erscheinungstermin: 11. August 2010
• Englisch
• ISBN-13: 9780230281738
• Artikelnr.: 45965174

Autorenporträt

DANIEL COOK PhD student at Queens' College, University of Cambridge, UK ALEX DICK Assistant Professor of English at the University of British Columbia in Vancouver, Canada ANGELA ESTERHAMMER Distinguished University Professor of English and Comparative Literature at the University of Western Ontario, Canada JOHN HALLIWELL Secretary for the Centre for Romantic Studies at the University of Bristol, UK SARA LODGE Lecturer in English at the University of St Andrews, UK. TIM MILNES Lecturer in English Literature at the University of Edinburgh, UK DAFYDD MOORE Lecturer in English at the University of Plymouth, UK MARGARET RUSSETT Professor of English at the University of Southern California, USA KERRY SINANAN Senior Lecturer in English at the University of the West of England, UK ASHLEY TAUCHERT Associate Professor of English at the University of Exeter, UK JANE WRIGHT Lecturer in English Literature at the University of Bristol, UK

Inhaltsangabe

Contents Acknowledgements Notes on Contributors List of Abbreviations Introduction; K.Sinanan& T.Milnes PART I: FORGING AUTHENTICITY Genuity or Ingenuity? Invented Tradition and the Scottish Talent; M.Russett 'A Blank Made': Ossian , Authenticity, and the Possibilities of Forgery; D.Moore Authenticity Among Hacks: Thomas Chatterton's 'Memoirs of a Sad Dog' and Magazine Culture; D.Cook PART II: ACTS OF SINCERITY The Scandal of Sincerity: Wordsworth, Byron, Landon; A.Esterhammer Making Sense of Sincerity in The Prelude ; T.Milnes Too Good to be True? Hannah More, Sincerity, and Evangelical Abolitionism; K.Sinanan Sincerity's Repetition: Carlyle, Tennyson and Other Repetitive Victorians; J.Wright PART III: MARKETING THE GENUINE By Its Own Hand: Periodicals and the Paradox of Romantic Authenticity; S.Lodge Acts of Insincerity? Thomas Spence and Radical Print Culture in the 1790s; J.Halliwell PART IV: THE CASE OF AUSTEN Austen, Sincerity and the Standard; A.J.Dick 'Facts are Such Horrible Things!': The Question of Authentic Femininity in Jane Austen; A.Tauchert Notes Bibliography Index

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Contents Acknowledgements Notes on Contributors List of Abbreviations Introduction; K.Sinanan& T.Milnes PART I: FORGING AUTHENTICITY Genuity or Ingenuity? Invented Tradition and the Scottish Talent; M.Russett 'A Blank Made': Ossian , Authenticity, and the Possibilities of Forgery; D.Moore Authenticity Among Hacks: Thomas Chatterton's 'Memoirs of a Sad Dog' and Magazine Culture; D.Cook PART II: ACTS OF SINCERITY The Scandal of Sincerity: Wordsworth, Byron, Landon; A.Esterhammer Making Sense of Sincerity in The Prelude ; T.Milnes Too Good to be True? Hannah More, Sincerity, and Evangelical Abolitionism; K.Sinanan Sincerity's Repetition: Carlyle, Tennyson and Other Repetitive Victorians; J.Wright PART III: MARKETING THE GENUINE By Its Own Hand: Periodicals and the Paradox of Romantic Authenticity; S.Lodge Acts of Insincerity? Thomas Spence and Radical Print Culture in the 1790s; J.Halliwell PART IV: THE CASE OF AUSTEN Austen, Sincerity and the Standard; A.J.Dick 'Facts are Such Horrible Things!': The Question of Authentic Femininity in Jane Austen; A.Tauchert Notes Bibliography Index

Rezensionen

'When understanding Romanticism, 'Sincerity' and 'Authenticity ' are crucial concepts. Drawing particularly on the subjective or objective implications (not to mention the fruitful ambiguities) involved, the writers here find themselves considering relevant aspects of many 'Romantic' writers, from Macpherson and Chatterton to Wordsworth and Jane Austen, in new and absorbing ways.'

- John Beer, Emeritus Professor of English, University of Cambridge, UK.