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This publication engages with a futuristic progressive vision on the condition of cinema. By questioning and analyzing cinema's past and present industry with respect to various forms of staging from the perspective of artistic practice and research, a new space beyond is formulated. The author takes on a journey to reveal an imaginary—astronomical—political trope on and through what can be called the cinema of the present.
This publication engages with a futuristic progressive vision on the condition of cinema. By questioning and analyzing cinema's past and present industry with respect to various forms of staging from the perspective of artistic practice and research, a new space beyond is formulated. The author takes on a journey to reveal an imaginary—astronomical—political trope on and through what can be called the cinema of the present.
Introduction Chapter 1: Speculating on Astronomy and Cinema Chapter 2: The Immatrial Medium That Articulates Space— The Camera as a Drawing Instrument Chapter 3: Collective Performance as Embarkation: Activating the Subconscious Chapter 4: Materiality and Machine: Looping and Fragmenting to Create a New Auditorium Conclusion Bibliography Works Colophon
IntroductionChapter 1: Speculating on Astronomy and CinemaChapter 2: The Immatrial Medium That Articulates Space- The Camera as a Drawing InstrumentChapter 3: Collective Performance as Embarkation: Activating the SubconsciousChapter 4: Materiality and Machine: Looping and Fragmenting to Create a New AuditoriumConclusionBibliographyWorksColophon
Introduction Chapter 1: Speculating on Astronomy and Cinema Chapter 2: The Immatrial Medium That Articulates Space— The Camera as a Drawing Instrument Chapter 3: Collective Performance as Embarkation: Activating the Subconscious Chapter 4: Materiality and Machine: Looping and Fragmenting to Create a New Auditorium Conclusion Bibliography Works Colophon
IntroductionChapter 1: Speculating on Astronomy and CinemaChapter 2: The Immatrial Medium That Articulates Space- The Camera as a Drawing InstrumentChapter 3: Collective Performance as Embarkation: Activating the SubconsciousChapter 4: Materiality and Machine: Looping and Fragmenting to Create a New AuditoriumConclusionBibliographyWorksColophon
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