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Of the post-war, post-serialist generation of European composers, it was Luigi Nono who succeeded not only in identifying and addressing aesthetic and technical questions of his time but in showing a way ahead to a new condition of music in the twenty-first century. In many respects his music anticipates the new technological state of culture of the twenty-first century while radically reconnecting with our past. His work is itself a case-study in the evolution of musical activity and the musical object: from the period of an apparently stable place for art music in Western culture to its manifold new states in our century.…mehr

Produktbeschreibung
Of the post-war, post-serialist generation of European composers, it was Luigi Nono who succeeded not only in identifying and addressing aesthetic and technical questions of his time but in showing a way ahead to a new condition of music in the twenty-first century. In many respects his music anticipates the new technological state of culture of the twenty-first century while radically reconnecting with our past. His work is itself a case-study in the evolution of musical activity and the musical object: from the period of an apparently stable place for art music in Western culture to its manifold new states in our century.


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Autorenporträt
Jonathan Impett is a trumpet player and composer. He is Director of Research at the Orpheus Institute, Ghent, where he leads the research group 'Music, Thought and Technology', and Associate Professor at Middlesex University, London. His work is concerned with the resituating and redistributing of musical activity. It explores the spaces between score and improvisation, musician and technology, the use of interactive and intelligent systems, the cultural role of models from science and the nature of the contemporary technologically situated musical artefact. He is also a member of the Orchestra of the Eighteenth Century.