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  • Format: ePub

Rule number eleven: We don't talk about them. Not here. They don't exist here.
Nadia and Daniel have a secret. In fact they have quite a few. They've just signed on the dotted line for a studio flat. Under a pseudonym, naturally - Mr and Mrs White. After years of school pick-ups, TV takeaways, and the day to day drudgery of married life, this is their chance to wipe the slate clean. But as much as they try and redefine the rules, and themselves, the outside world is closing in.
Ultra-contemporary, sexy and funny, Kenny Emson's play Rust pushes the boundaries of trust, love and lust to
…mehr

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Produktbeschreibung
Rule number eleven: We don't talk about them. Not here. They don't exist here.

Nadia and Daniel have a secret. In fact they have quite a few. They've just signed on the dotted line for a studio flat. Under a pseudonym, naturally - Mr and Mrs White. After years of school pick-ups, TV takeaways, and the day to day drudgery of married life, this is their chance to wipe the slate clean. But as much as they try and redefine the rules, and themselves, the outside world is closing in.

Ultra-contemporary, sexy and funny, Kenny Emson's play Rust pushes the boundaries of trust, love and lust to the limit.

Rust premiered at the Bush Theatre, London, in June 2019.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Kenny Emson (aka Kenneth Emson) is a playwright and screenwriter. His plays include Rust (Bush Theatre, London, 2019); Plastic (Old Red Lion, London, 2018); This Must Be the Place, with Brad Birch (Latitude Festival, 2016 and VAULT Festival, London, 2017); Rural (White Bear); Whispering Happiness (Tristan Bates); Our Nobby (Eastern Angles, touring); The Peterborough Effect (Eastern Angles, touring); England Street (Oxford Playhouse); and Terrorism (Bush Theatre). He also writes for TV and film and was nominated for a Bafta Craft Award in 2016 for his work on The Last Hours of Laura K.