Jonathan Arnold

Sacred Music in Secular Society (eBook, PDF)

• Format: PDF

Produktbeschreibung

Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. This book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 188
• Erscheinungstermin: 8. April 2016
• Englisch
• ISBN-13: 9781317060253
• Artikelnr.: 44875744

Autorenporträt

Jonathan Arnold is Chaplain and Senior Research Fellow at Worcester College, Oxford. He is a Fellow of the Royal Historical Society, holds a Ph.D. from King's College, London and is author of Dean John Colet of St. Paul's: Humanism and Reform in Early Tudor England (London: I.B. Tauris, 2007) and The Great Humanists: An Introduction (London: I.B. Tauris, 2011). He is a former member of St. Paul's Cathedral Choir and has performed as a soloist with many leading British and European orchestras and has sung with many fine vocal ensembles, including The Tallis Scholars and Polyphony. He was a regular member of The Sixteen for many years, travelling all over the world and appearing on many recordings and broadcasts.

Inhaltsangabe

Introduction
Part I The Practice of Sacred Music
Chapter 1 Composers - Midwives of Faith
Chapter 2 The Performers I: Within the Context of Religious Worship
Chapter 3 The Performers II: Outside the Context of Religious Worship
Part II The Reception of Sacred Music
Chapter 4 Who is Listening?
Chapter 5 Sacred Music: Culture and Society
Chapter 6 What is the Future of Sacred Music?
conclusion Conclusion