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  • Format: ePub

Or why an independent producer, whose first show took place at the Opéra Comique in Paris in 1993, no longer wants to hear about the so-called "French cultural exception" some thirty years later.

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Produktbeschreibung
Or why an independent producer, whose first show took place at the Opéra Comique in Paris in 1993, no longer wants to hear about the so-called "French cultural exception" some thirty years later.


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Autorenporträt
Graduate in philosophy and religious studies, creator of the biennial review "Singuliers" in Paris in 1988, eclectic patron with the organization of exhibitions, the publication of books, the production of shows and records, speaker, pamphleteer, author of adaptations for the stage of Psalms, and of sonnets by Shakespeare, first French editor of a book on Franz Lehár ; in Europe his creations on the stage took place in Paris : "Noëlla Pontois", Opéra Comique, 1993 ; "Colette Renard", Théâtre Déjazet, 2002 ; "Nos chants d'amour", Athénée Théâtre Louis-Jouvet, 2006 ; "Cartes blanches", Salle Adyar, 2006, 2008 ; "Clin d'Oeil à Irma La Douce", Studio des Ursulines, 2011 ; "Classic Musicals", Salle Cortot, 2020... before producing, during the coronavirus pandemic, the experimental independent feature movie "No-Shows" released with the subtitle "No-Film for Ukraine" for the promotion of the book "Russian scams during Ukraine war" and addendum "Death of pseudo Ukrainian : Russian scammers during war" in 2024. His texts are republished in English.