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  • Format: ePub

U. is a 'corporate anthropologist' who, while working on a giant, epoch-defining project no one really understands, is also tasked with writing the Great Report on our society. But instead, U. spends his days procrastinating, meandering through endless buffer-zones of information and becoming obsessed by the images with which the world bombards him on a daily basis: oil spills, African traffic jams, roller-blade processions.
Is there a secret logic holding all these images together? Once cracked, will it unlock the master-meaning of our era? Might it have something to do with the dead parachutists in the news? Perhaps; perhaps not.
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Produktbeschreibung
U. is a 'corporate anthropologist' who, while working on a giant, epoch-defining project no one really understands, is also tasked with writing the Great Report on our society. But instead, U. spends his days procrastinating, meandering through endless buffer-zones of information and becoming obsessed by the images with which the world bombards him on a daily basis: oil spills, African traffic jams, roller-blade processions.

Is there a secret logic holding all these images together? Once cracked, will it unlock the master-meaning of our era? Might it have something to do with the dead parachutists in the news? Perhaps; perhaps not.


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Autorenporträt
Tom McCarthy is the author of Tintin and the Secret of Literature and four internationally celebrated novels: Remainder, Men in Space, C, which was shortlisted for the Man Booker Prize and the Walter Scott Prize, and Satin Island, which was shortlisted for the Man Booker Prize and the Goldsmiths Prize. In 2013 McCarthy was awarded the inaugural Windham-Campbell Literature Prize by Yale University. His creation, in 1999, of the International Necronautical Society has led to installations and exhibitions in galleries and museums around the world, from Tate Britain and the ICA in London to The Drawing Center in New York.
Rezensionen
Smart, shimmering and thought-provoking...McCarthy isn't a frustrated cultural theorist who must content himself with writing novels; he's a born novelist, a pretty fantastic one, who has figured out a way to make cultural theory funny, scary and suspenseful - in other words, compulsively readable. New York Times