U. is a 'corporate anthropologist' who, while working on a giant, epoch-defining project no one really understands, is also tasked with writing the Great Report on our society. But instead, U. spends his days procrastinating, meandering through endless buffer-zones of information and becoming obsessed by the images with which the world bombards him on a daily basis: oil spills, African traffic jams, roller-blade processions.
Is there a secret logic holding all these images together? Once cracked, will it unlock the master-meaning of our era? Might it have something to do with the dead parachutists in the news? Perhaps; perhaps not.
Is there a secret logic holding all these images together? Once cracked, will it unlock the master-meaning of our era? Might it have something to do with the dead parachutists in the news? Perhaps; perhaps not.
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Smart, shimmering and thought-provoking...McCarthy isn't a frustrated cultural theorist who must content himself with writing novels; he's a born novelist, a pretty fantastic one, who has figured out a way to make cultural theory funny, scary and suspenseful - in other words, compulsively readable. New York Times