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The algorithm of my own life, faded and spidery, is written, not keyed in. From bombsites used as childhood playgrounds to lockdown FaceTime calls, Kate Foley looks back on almost nine decades of life – a life characterised by curiosity, resistance and a strong connection with the natural world. Appreciation and concern for the planet runs through this frank and moving collection, which muses on the notions of faith and belief, ultimately rejecting both Whitehall politics and traditional religion as inadequate to deal with environmental crisis. Simultaneously nostalgic and highly concerned…mehr

Produktbeschreibung
The algorithm of my own life, faded and spidery, is written, not keyed in. From bombsites used as childhood playgrounds to lockdown FaceTime calls, Kate Foley looks back on almost nine decades of life – a life characterised by curiosity, resistance and a strong connection with the natural world. Appreciation and concern for the planet runs through this frank and moving collection, which muses on the notions of faith and belief, ultimately rejecting both Whitehall politics and traditional religion as inadequate to deal with environmental crisis. Simultaneously nostalgic and highly concerned with the future, Kate Foley's candid reminiscence and simple use of language draw us softly into consideration of life's big questions: What's it all for? How will we be remembered? Will it build again, our earth?
Autorenporträt
Kate Foley is a widely published, prize-winning poet and former president of Suffolk Poetry Society. She has read in many UK and European locations. Her first collection, Soft Engineering was short listed for best first collection at Aldeburgh. Her working life has ranged from delivering babies to conserving delicate archaeological material. She became Head of English Heritage's scientific and technical research laboratories. Although she has always written poetry it wasn't until she gave up the day job that she began to publish more widely. She now lives with her wife, between Amsterdam and Suffolk, where she performs, writes, edits, leads workshops and whenever possible works with artists in other disciplines.