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A no-holds-barred expose of the Hindi film industry's sordid underbelly. Ali Amjad comes from Benares to make it as a scriptwriter in Bombay, only to experience the absurd and tragic reality behind the film world's glamour as he navigates through it with his fellow strugglers. A short, fascinating novel set in the Bombay of the 1970s, Rahi Masoom Raza's Scene: 75 is a crazy kaleidoscope of stories within stories populated by a cast of extraordinary and memorable - but also cynical and manipulative - characters, from struggling directors and wealthy lesbians to film-obsessed social climbers and…mehr
A no-holds-barred expose of the Hindi film industry's sordid underbelly. Ali Amjad comes from Benares to make it as a scriptwriter in Bombay, only to experience the absurd and tragic reality behind the film world's glamour as he navigates through it with his fellow strugglers. A short, fascinating novel set in the Bombay of the 1970s, Rahi Masoom Raza's Scene: 75 is a crazy kaleidoscope of stories within stories populated by a cast of extraordinary and memorable - but also cynical and manipulative - characters, from struggling directors and wealthy lesbians to film-obsessed social climbers and sleazy producers. In this irreverent, surreal, deeply satirical and darkly humorous work, the author's biting prose takes an unflinching look at both Hindu-Muslim and class relations, as well as at how human ties corrode and wither because of ambition and self-interest. Superbly translated by Poonam Saxena, this lost classic from Rahi Masoom Raza rips off the tinsel curtain that hides the film industry's hypocrisy, insecurity and desperation for success. It is a novel that will delight and disturb in equal measure.
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Autorenporträt
RAHI MASOOM RAZA (1927-1992) was born in Ghazipur on the banks of the Ganga in Uttar Pradesh. He studied at Aligarh Muslim University, where he did a doctorate in Hindustani literature and where he also taught for a while. One of the finest novelists and poets of his time, Rahi Masoom Raza was proficient in both Hindi and Urdu. His best-known work is Aadha Gaon, about rival Muslim landlord families in the village of Gangauli at the time of Partition. His other well-known works are Topi Shukla, Katra Bi Aarzo, Neem Ka Ped and Os Ki Boond. He found fame as a dialogue writer in the Hindi film industry, and worked on movies like Main Tulsi Tere Aangan Ki, Gol Maal, Mili, Karz, Lamhe, etc. He also wrote the path-breaking dialogues for the 1980s TV epic, Mahabharat.
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