Jack Boss

Schoenberg's Atonal Music (eBook, ePUB)

Musical Idea, Basic Image, and Specters of Tonal Function

• Format: ePub

Produktbeschreibung

Award-winning author Jack Boss returns with the 'prequel' to Schoenberg's Twelve-Tone Music (Cambridge, 2014) demonstrating that the term 'atonal' is meaningful in describing Schoenberg's music from 1908 to 1921. This book shows how Schoenberg's atonal music can be understood in terms of successions of pitch and rhythmic motives and pitch-class sets that flesh out the large frameworks of 'musical idea' and 'basic image'. It also explains how tonality, after losing its structural role in Schoenberg's music after 1908, begins to re-appear not long after as an occasional expressive device. Like its predecessor, Schoenberg's Atonal Music contains close readings of representative works, including the Op. 11 and Op. 19 Piano Pieces, the Op. 15 George-Lieder, the monodrama Erwartung, and Pierrot lunaire. These analyses are illustrated by richly detailed musical examples, revealing the underlying logic of some of Schoenberg's most difficult pieces of music.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 4. Juli 2019
• Englisch
• ISBN-13: 9781108317801
• Artikelnr.: 62733594

Autorenporträt

Jack Boss is Professor of Music Theory and Composition at the University of Oregon. His previous book, Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge, 2014) received the Wallace Berry Award from the Society for Music Theory in 2015. His articles can be found in the Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music, Music Theory Online, Music Analysis, Intégral, and Gamut.

Inhaltsangabe

1. Tonal oder Atonal? The complicated
contradictory nature of Schoenberg's middle-period music (Op. 11
No. 1); 2. Piano pieces Op. 11
Nos. 2 and 3: The latter movements of a remarkably progressive cycle; 3. Das Buch der hängenden Gärten
Op. 15
Nos. 7 and 11: basic images in two of the earliest atonal pieces; 4. Erwartung
Op. 17: A Leitmotivic Opera and a 'cumulative setting'
atomized; 5. Six little piano pieces
Op. 19 (Nos. 2
3
and 6): musical idea and basic image in miniature; 6. Pierrot lunaire
Op. 21
Nos. 1
14 and 21: basic image at the apex of its development; 7. Summary
and the way forward to twelve-tone music.