Jack Boss

Schoenberg's Twelve-Tone Music (eBook, PDF)

Symmetry and the Musical Idea

• Format: PDF

Produktbeschreibung

Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 2. Oktober 2014
• Englisch
• ISBN-13: 9781139699242
• Artikelnr.: 52928204

Autorenporträt

Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others).

Inhaltsangabe

1. Musical idea and symmetrical ideal; 2. Suite for Piano, Op. 25:
varieties of idea in Schoenberg's earliest twelve-tone music; 3. Woodwind
Quintet, Op. 26: the twelve-tone idea reanimates a large musical form; 4.
Three Satires, Op. 28, #3: the earliest example of the 'symmetrical ideal'
in a (more or less) completely combinatorial context; 5. Piano Piece, Op.
33a: the 'symmetrical ideal' conflicts with and is reconciled to row order;
6. Fourth String Quartet, Op. 37, mvt. I: two motives give rise to
contrasting row forms, meters, textures and tonalities (and are reconciled)
within a large sonata form; 7. Moses und Aron: an incomplete musical idea
represents an unresolved conflict between communicating with God using word
or image; 8. String Trio, Op. 45: a musical idea (and a near-death
experience) is expressed as a conflict between alternative row forms.