Schubert's Late Music (eBook, ePUB)

History, Theory, Style
Redaktion: Bodley, Lorraine Byrne

• Format: ePub

Produktbeschreibung

Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822-8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 7. April 2016
• Englisch
• ISBN-13: 9781316452318
• Artikelnr.: 53398779

Inhaltsangabe

Introduction: Schubert's late style and current musical scholarship
Lorraine Byrne Bodley; Part I. Reception Histories: 1. 'Classical' music
and Viennese resistance to Schubert's Beethoven project John M. Gingerich;
2. Beethoven, Schubert, and the movement of phenomena Scott Burnham; 3.
[Un]Himmlische Länge: editorial intervention as reception history Anne M.
Hyland; 4. Citation, narrative and meaning: Woody Allen and the late
Schubert Harry White; Part II. The Late Instrumental Music (1):
Hermeneutics and Performance: 5. Schubert's alchemy: transformative
surfaces, transfiguring depths Robert S. Hatten; 6. Against the grain: Op.
78 and a hermeneutics of late style Richard Kramer; 7. Schubert's
Wiegenlied: the Andante sostenuto from the Piano Sonata in B flat, D. 960
Eric Wen; 8. Schubert's reconciliation of gothic and classical influences
Marjorie Hirsch; 9. The first movement of Schubert's Piano Sonata D. 959
and the performance of analysis Julian Horton; Part III. The Late
Instrumental Music (2): Meaning and Genre: 10. Schubert hearing Don
Giovanni: Mozartian death music in the 'Unfinished' Symphony Glenn Stanley;
11. Longing for the unattainable: the second movement of the 'Great' C
major Symphony Lauri Suurpää; 12. Tonal recollection in Schubert's late
instrumental music Ryan McClelland; 13. Detours, wrong tracks, and dead
ends: the 'wanderer' in the labyrinth of Schubert's late instrumental music
Xavier Hascher; 14. Formal ambiguity and generic reinterpretation in the
late instrumental music Su-Yin Mak; Part IV. Defining Late Style: 15. The
'problem of solitude' and critique in song: Schubert's loneliness Susan
Youens; 16. Music of the orphaned self? Schubert and concepts of late style
Lorraine Byrne Bodley; 17. Bounded finitude and boundless infinitude:
Schubert's contradictions at the 'final barrier' Blake Howe; 18.
Invocations of memory in Schubert's last songs Jürgen Thym; 19. 'The
prerogative of late style': thoughts on the expressive world of Schubert's
late works Benjamin M. Korstvedt; 20. Singing against late style: the
problem of performance history Laura Tunbridge.