The book progresses chronologically, starting with the earliest forms of war commemoration and moving through distinct historical periods, including classical antiquity, the World Wars, and modern conflicts. Each chapter focuses on specific artistic styles, technological innovations, and socio-political contexts that influenced the creation and reception of these works. By drawing on diverse sources, including historical photographs and artist biographies, Sculpting in War offers a nuanced understanding of the complex relationship between art and war, making it valuable for art historians, military historians, and anyone interested in understanding the role of art in shaping our understanding of war.
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