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A striking version of Chekhov's classic play by Charlotte Pyke, John Kerr and Joseph Blatchley, restoring to the play the cuts demanded by the Russian censor in 1896. In nineteenth-century rural Russia, an anxious young writer prepares the first performance of his new play for the two women in his life. The consequences are devastating, with everybody in love with the wrong person, and death hovering close by. Through both comedy and tragedy, Seagull explores lives that are precariously balanced between love and indifference, success and failure, hope and despair. This version of Anton…mehr

Produktbeschreibung
A striking version of Chekhov's classic play by Charlotte Pyke, John Kerr and Joseph Blatchley, restoring to the play the cuts demanded by the Russian censor in 1896. In nineteenth-century rural Russia, an anxious young writer prepares the first performance of his new play for the two women in his life. The consequences are devastating, with everybody in love with the wrong person, and death hovering close by. Through both comedy and tragedy, Seagull explores lives that are precariously balanced between love and indifference, success and failure, hope and despair. This version of Anton Chekhov's The Seagull was first performed at the Arcola Theatre, London, in 2011. 'absorbingly vibrant - a Seagull that soars.' - The Times 'wonderfully nimble... the play feels fresh and vital... full of warmth and wit' - Stage 'new translation brings an immediacy and a vibrancy to the play that does it a world of good' - Whatsonstage.com

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Autorenporträt
Anya Reiss wrote her first play when she was 14, as a member of the Royal Court Theatre's Young Wrtiers' Programme. Her debut play, Spur of the Moment (written when she was 17) opened at the Royal Court Theatre in 2010. Anya won the Most Promising Playwright Award at the 2010 Evening Standard Awards, Best New Play at the 2010 TMA Awards and Most Promising Playwright at the 2010 Critics' Circle Awards. He latest play, The Acid Test, opened at the Royal Court in May 2011 and received rave reviews. She also contributed to the Bush Theatre's Sixty Six Books in 2011 and the Old Vic's Children's Monologues in 2010. She has also written the play Forty Five Minutes for the 2013 National Theatre Connections.