His watchword is clarity, and the elements he considers crucial to effective typography could just as easily be looked for - and found - in his poetry: 'invite the reader into the text; reveal the tenor and meaning of the text; clarify the structure and the order of the text; link the text with other existing elements; induce a state of energetic repose, which is the ideal condition for reading.'
There is such relish for the tactile, physical nature of words, for spare, elemental imagery and for rhetorical weight - in the voice, and the sound of the voice - that each poem has a sense of gem-like purity. While Bringhurst's work may not be the most fashionable poetry being written today, it is certainly amongst the most compelling in its truth, power and beauty.
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