While readers have praised Crawford's lovingly lyrical engagement with politics and science in such collections as A Scottish Assembly (1990) and Spirit Machines (1999), with gender in Masculinity (1996), or with environment and spirituality in The Tip of My Tongue (2003), what emerges in this Selected Poems is a clearly growing commitment to the protean delight of poetry itself: a belief in its uniqueness as a medium which can subtly sound out complex relationships with heartfelt intelligence. In Crawford's language there is a confidently contemporary Scottish music that celebrates a kinship between the cherished, minute detail, local or personal, and the magnificently universal, 'As a candle-flame believes in the speed of light'.
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