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In 1939, as war clouds mushroom around Depression-era America, former Civilian Conservation Corps worker Robert Brown finds himself with a new government job- gathering tales from ancient denizens of the Ozark Mountains. Possessed of an extrasensory intuitive skill he calls his seventh sense, Robert is no stranger to magic or the preternatural. He is, however, woefully underprepared for the animalistic horrors he discovers on this assignemnt--and the ancient horrors he unleashes.
"A thin line, indeed, between Arkham and Arkansas - between the Lovecraftian concept of a cosmically plagued
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Produktbeschreibung
In 1939, as war clouds mushroom around Depression-era America, former Civilian Conservation Corps worker Robert Brown finds himself with a new government job- gathering tales from ancient denizens of the Ozark Mountains. Possessed of an extrasensory intuitive skill he calls his seventh sense, Robert is no stranger to magic or the preternatural. He is, however, woefully underprepared for the animalistic horrors he discovers on this assignemnt--and the ancient horrors he unleashes.

"A thin line, indeed, between Arkham and Arkansas - between the Lovecraftian concept of a cosmically plagued village and The Cleansing and its view of a rustic Southern region infested with a species of compromised humanity that might give H.P. Lovecraft pause. Robert A. Brown and John Wooley, natural-born storytellers with a sense of history and its ghastlier undercurrents, deliver an account of compassionate determination in opposition to the most appalling material circumstances. The Cleansing will bear mentioning in the same breath with Lovecraft and Robert Bloch and Robert E. Howard, with as compelling a voice of originality as any such Architects of the Weird. And why does the termMachiavellian spring to mind when I hear the name of Mackaville, Arkansas?"

- Michael H. Price, Forgotten Horrors


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Autorenporträt
Robert A. Brown has spent most of his working life in public education, serving as both a reading specialist and a principal, but he has also authored several nonfiction pieces dealing with the Great Depression and its popular culture, including western movies and the so-called "Spicy" magazines of the period. His work includes a piece on the legend of cowboy-movie star Tom Mix tcommissioned by the National Cowboy and Western Heritage Museum. An internationally known collector of such nostalgic items such as movie paper, radio premiums, and pulp magazines, Brown supplied the art and wrote the text for Kitchen Sink Press's popular trading card series Spicy: Naughty '30s Pulp Covers and Spicy: More Naughty '30s Pulp Covers, which quickly became sold-out collector's items. Brown initiated what became The Cleansing, writing letters on authentic period stationery to his old friend Wooley, using his deep knowledge of the 1930s to portray himself as the WPA employee beset by rural horrors who became The Cleansing's protagonist.