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Visiting memory and erotics in the early modern period, this volume brings together two vibrant areas of Renaissance studies: the study of memory and the study of sexuality. Essays explore how memory re-shapes the concerns of queer studies, including the unhistorical, the experience of desire, and the limits of the body, and how the erotic revises the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts. Showing that Shakespeare and contemporaries were deeply interested in the interoperability of memory and sexuality, the volume…mehr

Produktbeschreibung
Visiting memory and erotics in the early modern period, this volume brings together two vibrant areas of Renaissance studies: the study of memory and the study of sexuality. Essays explore how memory re-shapes the concerns of queer studies, including the unhistorical, the experience of desire, and the limits of the body, and how the erotic revises the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts. Showing that Shakespeare and contemporaries were deeply interested in the interoperability of memory and sexuality, the volume suggests that both undergird the fraught constructions of social identity in early modern England.


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Autorenporträt
John Garrison is Associate Professor of English at Carroll University, USA. He is the author of Friendship and Queer Theory in the Renaissance (Routledge, 2014) and Glass (2015). His essays have appeared in Exemplaria , Literature Compass, Milton Quarterly, and Studies in Philology. He has held fellowships from the American Philosophical Society, Folger Shakespeare Library, and National Endowment for the Humanities. Kyle Pivetti is Assistant Professor of English at Norwich University, USA. He is the author of Of Memory and Literary Form: Making the Early Modern Nation (2015). His essays have appeared in the journals Modern Philology and the edited collection Mapping Gendered Routes and Spaces in the Early Modern World (2015).