Michael J. Redmond

Shakespeare, Politics, and Italy (eBook, ePUB)

Intertextuality on the Jacobean Stage

• Format: ePub

Produktbeschreibung

Building on a theoretical framework offered in the first chapter, this study examines the ideological repercussions of the staging of the Italian scene in prominent works by Shakespeare, Jonson, and Marlowe. By focusing on the self-conscious, overt rehearsal of existing texts and genres, Michael J. Redmond argues that these plays represent the political conflicts of Jacobean England within the context of previous writing about the crises of Cinquecento Italy.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 252
• Erscheinungstermin: 1. April 2016
• Englisch
• ISBN-13: 9781317056195
• Artikelnr.: 44873451

Autorenporträt

Michael J. Redmond teaches at the University of Palermo, Italy and is a former Commonwealth Scholar at the University of Sussex, England. He has published several articles and book chapters on the cultural politics of intertextuality in the drama of Shakespeare and his contemporaries.

Inhaltsangabe

Chapter 1 Introduction: The Politics of Intertextuality; Chapter 2 'You are
better read than I': Rereading the Italianate Englishman; Chapter 3 'And
let them know that I am Machiavel': Staging Italian Political Theory for
the London Audience; Chapter 4 'I have my dukedom got': Shakespeare and the
Evolution of the Italianate Disguised Ruler Play; Chapter 5 'No more a
Britain': James I, Jachimo, and the Politics of Xenophobia in Cymbeline;

---

Chapter 1 Introduction: The Politics of Intertextuality; Chapter 2 'You are better read than I': Rereading the Italianate Englishman; Chapter 3 'And let them know that I am Machiavel': Staging Italian Political Theory for the London Audience; Chapter 4 'I have my dukedom got': Shakespeare and the Evolution of the Italianate Disguised Ruler Play; Chapter 5 'No more a Britain': James I, Jachimo, and the Politics of Xenophobia in Cymbeline;

Rezensionen

'Redmond [...] probes the influence of Italian culture on early modern English drama and literature, in so doing offering a welcome addition to a literature that includes The Italian World of English Renaissance Drama, ed. by Michele Marrapodi with A. J. Hoenselaars. ...The author is convincing in making his case that Shakespeare is too often studied in isolation from his fellow English dramatists and writers. ...Recommended.' Choice '... it is one of the strengths of this book that it establishes a new agenda for this kind of debate. The book's real substance is not in allusion-spotting but in probing cultural attitudes and the politics of nationhood. As such, it will be regarded as a significant contribution to the fast-growing area of Anglo-Italian Renaissance literary studies.' Renaissance Quarterly 'Michael Redmond [...] approaches this inexhaustible subject from a new perspective and uncovers the kind of creative uses of Italy that his predecessors have not addressed... Each chapter of this important book is carefully executed and ends with a succinct conclusion, which eases reading. Redmond fully achieves the goal of redefining what source studies can mean at the present critical moment, giving us a thorough, convincing, and original way of reading transnational cultural contacts. ... Redmond's book will likely have a long shelf life not only because of its perceptive literary analyses but also because it adds another dimension to our knowledge of the humanism that lies behind early modern drama, specifically in the circulation of texts, books, and knowledge between England and Italy.' Early Theatre 'Michael Redmond's book refreshingly gives a view of Shakespeare's works from a cross- or trans-national perspectives... The force of his observations can be stunning...' College Literature '...[this] book is an innovative, interesting, and worthy addition to recent scholarship on Shakespeare's dramatic engagement with Italian materials, and indeed o