Shakespeare Survey 72: Volume 72, Shakespeare and War (eBook, PDF)
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Shakespeare Survey 72: Volume 72, Shakespeare and War (eBook, PDF)
Redaktion: Smith, Emma
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The 72nd in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the programme of the International Shakespeare Conference held in Stratford-upon-Avon in the summer of 2018. The theme is 'Shakespeare and War'.
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The 72nd in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the programme of the International Shakespeare Conference held in Stratford-upon-Avon in the summer of 2018. The theme is 'Shakespeare and War'.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Erscheinungstermin: 12. September 2019
- Englisch
- ISBN-13: 9781108605960
- Artikelnr.: 66178661
- Verlag: Cambridge University Press
- Erscheinungstermin: 12. September 2019
- Englisch
- ISBN-13: 9781108605960
- Artikelnr.: 66178661
List of illustrations; 1. Henry V after the War on Terror Ramona Wray; 2.
Economies of gunpowder and ecologies of peace: accounting for
sustainability; Randall Martin; 3. Shakespeare and religious war: new
developments on the Italian sources of Twelfth Night Elisabetta Tarantino;
4. 'Thou laidst no sieges to the music-room': anatomising wars, staging
battles Michael Hattaway; 5. Shakespearian narratives of war: trauma;
repetition; and metaphor Ros King; 6. War without Shakespeare: reading
Shakespearean absence, 1642-1649 Eoin Price; 7. Antic dispositions:
Shakespeare, war, and cabaret Irene Makaryk; 8. The comedy of Hamlet in
Nazi-occupied Warsaw: an exploration of Lubitsch's To be or not to be
(1942) Reiko Oya; 9. The lion and the lamb: Hamlet in London during World
War II Zoltán Márkus; 10. Dividing to conquer or joining the ReSisters:
Shakespeare's Lady Anne (and Woolf's Three Guineas) in the wake of #MeToo
Diana Henderson; 11. The Homeland of Coriolanus: war homecomings between
Shakespeare's stage and current complex TV Christina Wald; 12. Scholarly
method, truth, and evidence in Shakespearian textual studies Gabriel Egan;
13. Beautiful polecats: the living and the dead in Julius Caesar Lisa
Hopkins; 14. Ancient aesthetics and current conflicts: Indian Rasa theory
and Vishal Bhardwaj's Haider (2014) Melissa Croteau; 15. Failure to thrive
Elizabeth Mazzola; 16. Tippett's Tempest: Shakespeare in The Knot Garden
Michael Graham; 17. Tautological character: Troilus and Cressida and the
problems of personation Samuel Fallon; 18. 'Rude wind': King Lear -
canonicity versus physicality Peter Smith; 19. Content but also unwell:
distributed character and language in The Merchant of Venice Elena Pellone
and David Schalkwyk; 20. This autistic island's mine: neurodiversity,
autistic culture, and the Hunter Heartbeat Method Sonya Freeman Loftis; 21.
The Senecan tragedy of Feste in Twelfth Night Judith Rosenheim; 22.
Shakespearean performance in England, 2018 Stephen Purcell and Paul
Prescott; 23. Professional Shakespeare productions in the British Isles,
2017 James Shaw; 24. The year's contribution to Shakespeare studies:
critical studies reviewed by Charlotte Scott; Shakespeare in performance
reviewed by Russell Jackson; Editions and textual studies reviewed by Peter
Kirwan; Abstracts.
Economies of gunpowder and ecologies of peace: accounting for
sustainability; Randall Martin; 3. Shakespeare and religious war: new
developments on the Italian sources of Twelfth Night Elisabetta Tarantino;
4. 'Thou laidst no sieges to the music-room': anatomising wars, staging
battles Michael Hattaway; 5. Shakespearian narratives of war: trauma;
repetition; and metaphor Ros King; 6. War without Shakespeare: reading
Shakespearean absence, 1642-1649 Eoin Price; 7. Antic dispositions:
Shakespeare, war, and cabaret Irene Makaryk; 8. The comedy of Hamlet in
Nazi-occupied Warsaw: an exploration of Lubitsch's To be or not to be
(1942) Reiko Oya; 9. The lion and the lamb: Hamlet in London during World
War II Zoltán Márkus; 10. Dividing to conquer or joining the ReSisters:
Shakespeare's Lady Anne (and Woolf's Three Guineas) in the wake of #MeToo
Diana Henderson; 11. The Homeland of Coriolanus: war homecomings between
Shakespeare's stage and current complex TV Christina Wald; 12. Scholarly
method, truth, and evidence in Shakespearian textual studies Gabriel Egan;
13. Beautiful polecats: the living and the dead in Julius Caesar Lisa
Hopkins; 14. Ancient aesthetics and current conflicts: Indian Rasa theory
and Vishal Bhardwaj's Haider (2014) Melissa Croteau; 15. Failure to thrive
Elizabeth Mazzola; 16. Tippett's Tempest: Shakespeare in The Knot Garden
Michael Graham; 17. Tautological character: Troilus and Cressida and the
problems of personation Samuel Fallon; 18. 'Rude wind': King Lear -
canonicity versus physicality Peter Smith; 19. Content but also unwell:
distributed character and language in The Merchant of Venice Elena Pellone
and David Schalkwyk; 20. This autistic island's mine: neurodiversity,
autistic culture, and the Hunter Heartbeat Method Sonya Freeman Loftis; 21.
The Senecan tragedy of Feste in Twelfth Night Judith Rosenheim; 22.
Shakespearean performance in England, 2018 Stephen Purcell and Paul
Prescott; 23. Professional Shakespeare productions in the British Isles,
2017 James Shaw; 24. The year's contribution to Shakespeare studies:
critical studies reviewed by Charlotte Scott; Shakespeare in performance
reviewed by Russell Jackson; Editions and textual studies reviewed by Peter
Kirwan; Abstracts.
List of illustrations; 1. Henry V after the War on Terror Ramona Wray; 2.
Economies of gunpowder and ecologies of peace: accounting for
sustainability; Randall Martin; 3. Shakespeare and religious war: new
developments on the Italian sources of Twelfth Night Elisabetta Tarantino;
4. 'Thou laidst no sieges to the music-room': anatomising wars, staging
battles Michael Hattaway; 5. Shakespearian narratives of war: trauma;
repetition; and metaphor Ros King; 6. War without Shakespeare: reading
Shakespearean absence, 1642-1649 Eoin Price; 7. Antic dispositions:
Shakespeare, war, and cabaret Irene Makaryk; 8. The comedy of Hamlet in
Nazi-occupied Warsaw: an exploration of Lubitsch's To be or not to be
(1942) Reiko Oya; 9. The lion and the lamb: Hamlet in London during World
War II Zoltán Márkus; 10. Dividing to conquer or joining the ReSisters:
Shakespeare's Lady Anne (and Woolf's Three Guineas) in the wake of #MeToo
Diana Henderson; 11. The Homeland of Coriolanus: war homecomings between
Shakespeare's stage and current complex TV Christina Wald; 12. Scholarly
method, truth, and evidence in Shakespearian textual studies Gabriel Egan;
13. Beautiful polecats: the living and the dead in Julius Caesar Lisa
Hopkins; 14. Ancient aesthetics and current conflicts: Indian Rasa theory
and Vishal Bhardwaj's Haider (2014) Melissa Croteau; 15. Failure to thrive
Elizabeth Mazzola; 16. Tippett's Tempest: Shakespeare in The Knot Garden
Michael Graham; 17. Tautological character: Troilus and Cressida and the
problems of personation Samuel Fallon; 18. 'Rude wind': King Lear -
canonicity versus physicality Peter Smith; 19. Content but also unwell:
distributed character and language in The Merchant of Venice Elena Pellone
and David Schalkwyk; 20. This autistic island's mine: neurodiversity,
autistic culture, and the Hunter Heartbeat Method Sonya Freeman Loftis; 21.
The Senecan tragedy of Feste in Twelfth Night Judith Rosenheim; 22.
Shakespearean performance in England, 2018 Stephen Purcell and Paul
Prescott; 23. Professional Shakespeare productions in the British Isles,
2017 James Shaw; 24. The year's contribution to Shakespeare studies:
critical studies reviewed by Charlotte Scott; Shakespeare in performance
reviewed by Russell Jackson; Editions and textual studies reviewed by Peter
Kirwan; Abstracts.
Economies of gunpowder and ecologies of peace: accounting for
sustainability; Randall Martin; 3. Shakespeare and religious war: new
developments on the Italian sources of Twelfth Night Elisabetta Tarantino;
4. 'Thou laidst no sieges to the music-room': anatomising wars, staging
battles Michael Hattaway; 5. Shakespearian narratives of war: trauma;
repetition; and metaphor Ros King; 6. War without Shakespeare: reading
Shakespearean absence, 1642-1649 Eoin Price; 7. Antic dispositions:
Shakespeare, war, and cabaret Irene Makaryk; 8. The comedy of Hamlet in
Nazi-occupied Warsaw: an exploration of Lubitsch's To be or not to be
(1942) Reiko Oya; 9. The lion and the lamb: Hamlet in London during World
War II Zoltán Márkus; 10. Dividing to conquer or joining the ReSisters:
Shakespeare's Lady Anne (and Woolf's Three Guineas) in the wake of #MeToo
Diana Henderson; 11. The Homeland of Coriolanus: war homecomings between
Shakespeare's stage and current complex TV Christina Wald; 12. Scholarly
method, truth, and evidence in Shakespearian textual studies Gabriel Egan;
13. Beautiful polecats: the living and the dead in Julius Caesar Lisa
Hopkins; 14. Ancient aesthetics and current conflicts: Indian Rasa theory
and Vishal Bhardwaj's Haider (2014) Melissa Croteau; 15. Failure to thrive
Elizabeth Mazzola; 16. Tippett's Tempest: Shakespeare in The Knot Garden
Michael Graham; 17. Tautological character: Troilus and Cressida and the
problems of personation Samuel Fallon; 18. 'Rude wind': King Lear -
canonicity versus physicality Peter Smith; 19. Content but also unwell:
distributed character and language in The Merchant of Venice Elena Pellone
and David Schalkwyk; 20. This autistic island's mine: neurodiversity,
autistic culture, and the Hunter Heartbeat Method Sonya Freeman Loftis; 21.
The Senecan tragedy of Feste in Twelfth Night Judith Rosenheim; 22.
Shakespearean performance in England, 2018 Stephen Purcell and Paul
Prescott; 23. Professional Shakespeare productions in the British Isles,
2017 James Shaw; 24. The year's contribution to Shakespeare studies:
critical studies reviewed by Charlotte Scott; Shakespeare in performance
reviewed by Russell Jackson; Editions and textual studies reviewed by Peter
Kirwan; Abstracts.