D. Gil

Shakespeare's Anti-Politics (eBook, PDF)

Sovereign Power and the Life of the Flesh

• Format: PDF

Produktbeschreibung

Argues that Shakespeare is anti-political, dissecting the nature of the nation-state and charting a surprising form of resistance to it, using sovereign power against itself to engineer new forms of selfhood and relationality that escape the orbit of the nation-state. It is these new experiences that the book terms 'the life of the flesh'.

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Produktdetails

• Verlag: Palgrave Macmillan UK
• Seitenzahl: 167
• Erscheinungstermin: 15. August 2013
• Englisch
• ISBN-13: 9781137275011
• Artikelnr.: 39450752

Autorenporträt

Daniel Juan Gil is the author of Before Intimacy: Asocial Sexuality in Early Modern England. He has written widely on cultural sociology, sexuality, religion, and the body, and his articles have appeared in prominent journals including ELH, Shakespeare Quarterly, Borrowers and Lenders and Common Knowledge.

Inhaltsangabe

Acknowledgements Introduction 1. The Historical Conditions of Possibility of the Life of the Flesh: Absolutism, Civic Republicanism and 'Bare Life' in Julius Caesar 2. The Life of the Condemned: The Autonomous Legal System and the Community of the Flesh in Measure for Measure 3. Unsettling the Civic Republican Order: The Face of Sovereign Power and the Fate of the Citizen in Othello 4. Life Outside the Law: Torture and the Flesh in King Lear Epilogue: The Afterlife of the Life of the Flesh Bibliography Index

Rezensionen

"Gil argues that Shakespeare supports neither monarchical nor civic republican values, as both depend on the sovereign power of the state to control the bodies of subjects. . . Gil's introduction is especially insightful in relating his theory to the present. Summing up: Recommended." CHOICE

"The strength of the book lies in the clarity of Gil's basic thesis and the consistency with which it is applied." Julia Reinhard Lupton, Renaissance Quarterly

"...ambitious, incisive, and sophisticated. It is excellent... Shakespeare's Anti-Politics will be of tremendous interest to a range of scholars interested in Shakespeare's relationship to politics, the body, and performance." James Kuzner, Shakespeare Quarterly