Shakespeare's Audiences (eBook, ePUB)

Redaktion: Pangallo, Matteo; Kirwan, Peter

• Format: ePub

Produktbeschreibung

The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 248
• Erscheinungstermin: 28. März 2021
• Englisch
• ISBN-13: 9781000352573
• Artikelnr.: 61137764

Autorenporträt

Matteo Pangallo is an Assistant Professor of English at Virginia Commonwealth University. Peter Kirwan is Associate Professor of Early Modern Drama at the University of Nottingham.

Inhaltsangabe

Matteo Pangallo and Peter Kirwan, "Introduction."
Embodied Audiences
1. Stephanie Shirilan, "Respiratory Sympathy and Pneumatic Community in
Shakespeare."
2. Joe Falocco, "Recovering the Humoral Body through Original Practice
Performance."
3. Jennifer A. Low, "Haptic Experience and Fluid Boundaries: Macbeth
and Czech Nationalism at ¿eský Krumlov's Revolving Theater."
Constructing Audiences
4. Romola Nuttall, "The most lamentable Romaine Tragedie of Titus
Andronicus and Audiences from the Inns of Court."
5. Miles Drawdy, "'Cleave the General Ear': Shakespeare and the Cultural
Bias of Early American Radio."
6. Koel Chatterjee, "Indian Shakespeare Cinema and the Active Audience."
7. Pascale Aebischer, "Gender, Aura, and the Close-Up: Broadcasting
Shakespeare for Female Audiences."
Performing Audiences
8. Edel Lamb, "Shakespeare's Riotous Audiences: Macbeth at Astor Place,
1849."
9. Adam Sheaffer, "'How novelty may move': Play and the Boundaries of
the Play in the New York Shakespeare Festival's Mobile Theatre."
10. Louise Geddes, "Imagined Theater: Why Fan Audiences Matter."
Observing Audiences
11. Valerie M. Fazel, "'A vulgar comment will be made of it': YouTube and
Robert Weimann's Platea."
12. Rachael Nicholas, "Shakespeare's Digital School Audience: Agency and
Control in the Reception of an RSC Schools' Broadcast."
13. Emily Lathrop, "For Everybody: Casting, Race, and Audience Engagement
in The Public Theater's Mobile Unit."