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This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between 1580s-1630s. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory and iconography.

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Produktbeschreibung
This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between 1580s-1630s. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory and iconography.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Natália Pikli is an Associate Professor at the Department of English Studies, School of English and American Studies, Eötvös Loránd University, Budapest, and was Guest Lecturer at the Hungarian University of Theatre and Film Arts.

Rezensionen
''This fascinating book uses its revelations about the hobby-horse in fact and metaphor to complicate our understanding of performance, orality and print. It explores hobby-horses as they are performed in morris dances, depicted in stained glass windows and emblem books, and referred to in ballads, pamphlets, and plays, casting a new light on popular culture. With its wide-range of textual reference, from the plays of Shakespeare and Jonson on the one hand, to the pamphlets of water-poet John Taylor on the other, 'the hobby-horse is forgot' no longer as a result of this riveting study.'' Tiffany Stern, FBA, The Shakespeare Institute, University of Birmingham

''This fascinating book uses its revelations about the hobby-horse in fact and metaphor to complicate our understanding of performance, orality and print. It explores hobby-horses as they are performed in morris dances, depicted in stained glass windows and emblem books, and referred to in ballads, pamphlets, and plays, casting a new light on popular culture. With its wide-range of textual reference, from the plays of Shakespeare and Jonson on the one hand, to the pamphlets of water-poet John Taylor on the other, 'the hobby-horse is forgot' no longer as a result of this riveting study.'' Tiffany Stern, FBA, The Shakespeare Institute, University of Birmingham