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uncontrollability and otherness. The time to come - what's new, what's other - can come out of a faux past. The sham tear in your jeans is not nothing - and it's neither allegory nor missing link. It is, Willems writes, a strategy for using objects in new and inventive ways. No surprise that Willems's conspirators in this practical critique are artists and filmmakers."
-Laurence Rickles, California Institute of the Arts, author of Critique of Fantasy
"Why are we so fascinated with fakes, and especially with fakes that acknowledge their own fakeness? This fascination didn't begin with today's Elvis impersonators or knockoffs of Gucci bags. In this book, Brian Willems traces the cult of forged historical artifacts back to the 18th century, but he also shows how these weird objects reflect cultural anxieties that still perturb us today, in our current age of big data and big finance."
- Steven Shaviro, DeRoy Professor of English, Wayne State University