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A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle.
A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle.
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Autorenporträt
Dr Judith Kuhn is a recovering lawyer who received her PhD in musicology from the University of Manchester, UK, in 2005. She currently teaches musicology at the University of Wisconsin-Milwaukee in the USA.
Inhaltsangabe
Contents: Introduction Quartet No. 1 in C, Op. 49 (1938) Quartet No. 2 in A, op. 68 (1944) Quartet No. 3 in F, Op. 73 (1946) Quartet No. 4 in D, Op. 83 (1949) Quartet No. 5 in B flat, Op. 92 (1952) Quartet No. 6 In G, Op. 101 (1956) Quartet No. 7 in F# minor, Op. 108 (1960) Epilogue: Shostakovich in dialogue Select bibliography Index.