Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.
Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.
Ulf Olsson is Professor of Comparative Literature, teaches at Stockholm University, Sweden and has also taught at University of California, Berkeley, USA and University of Illinois at Urbana-Champaign, USA. He has published books on Strindberg, and on contemporary Swedish literature, as well as on improvised music. Olsson also works as a literary critic.
Inhaltsangabe
Acknowledgments Introduction: Cordelia's Silence, Spoken Violence 1. The Exemplary Becomes Problematic, or Gendered Silence: Jane Austen 2. The Secrets of Silence: Hawthorne's The Scarlet Letter , Musil's Tonka 3. Refusal, or The Mute Provocateurs: Bartleby Meets Yvonne 4. The Other of Monologue: Strindberg, Camus, Beckett 5. Interrogation, or Forced to Silence: Rankin, Harris, Pinter, Duras 6. Literature as Coerced Speech: Peter Handke's Kaspar 7. Epilogue: The Silence of the Sirens 8. Bibliography Index
Acknowledgments Introduction: Cordelia's Silence, Spoken Violence 1. The Exemplary Becomes Problematic, or Gendered Silence: Jane Austen 2. The Secrets of Silence: Hawthorne's The Scarlet Letter , Musil's Tonka 3. Refusal, or The Mute Provocateurs: Bartleby Meets Yvonne 4. The Other of Monologue: Strindberg, Camus, Beckett 5. Interrogation, or Forced to Silence: Rankin, Harris, Pinter, Duras 6. Literature as Coerced Speech: Peter Handke's Kaspar 7. Epilogue: The Silence of the Sirens 8. Bibliography Index
Acknowledgments Introduction: Cordelia's Silence, Spoken Violence 1. The Exemplary Becomes Problematic, or Gendered Silence: Jane Austen 2. The Secrets of Silence: Hawthorne's The Scarlet Letter , Musil's Tonka 3. Refusal, or The Mute Provocateurs: Bartleby Meets Yvonne 4. The Other of Monologue: Strindberg, Camus, Beckett 5. Interrogation, or Forced to Silence: Rankin, Harris, Pinter, Duras 6. Literature as Coerced Speech: Peter Handke's Kaspar 7. Epilogue: The Silence of the Sirens 8. Bibliography Index
Acknowledgments Introduction: Cordelia's Silence, Spoken Violence 1. The Exemplary Becomes Problematic, or Gendered Silence: Jane Austen 2. The Secrets of Silence: Hawthorne's The Scarlet Letter , Musil's Tonka 3. Refusal, or The Mute Provocateurs: Bartleby Meets Yvonne 4. The Other of Monologue: Strindberg, Camus, Beckett 5. Interrogation, or Forced to Silence: Rankin, Harris, Pinter, Duras 6. Literature as Coerced Speech: Peter Handke's Kaspar 7. Epilogue: The Silence of the Sirens 8. Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
