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Winner of the Independent Publisher Book &quote;IPPY&quote; Award and an American Book Award! Rooted in a Chicana/Latina/indigenous geographic and cultural sensibility, the stories of flesh to bone take on the force of myth, old and new, giving voice to those who experience the disruption and violence of the borderlands. In these nine tales, Silva metes out a furious justice-a whirling, lyrical energy-that scatters the landscape with bones of transformation, reclamation, and healing. ...An original and authentic voice...with a unique vision. A blend of indigenismo and folktales retold in a…mehr

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Produktbeschreibung
Winner of the Independent Publisher Book "e;IPPY"e; Award and an American Book Award! Rooted in a Chicana/Latina/indigenous geographic and cultural sensibility, the stories of flesh to bone take on the force of myth, old and new, giving voice to those who experience the disruption and violence of the borderlands. In these nine tales, Silva metes out a furious justice-a whirling, lyrical energy-that scatters the landscape with bones of transformation, reclamation, and healing. ...An original and authentic voice...with a unique vision. A blend of indigenismo and folktales retold in a modern vein...these stories come from the clouds, from spirits of ancient ancestors, from the oblique corners of the human consciousness...A new and engaging duende is born. -Alejandro Murguia, author of This War Called Love If Chagall had written, he would have painted words in the fierce brushstrokes of ire'ne lara silva's stories. If Remedios Varo had told stories, she would have wound the tendrils of her magic the way ire'ne lara silva paints her world. -Cecile Pineda, author Devil's Tango: How I Learned the Fukushima Step by Step ire'ne lara silva writes about what's between dark shadow and daylight, when, as on the Day of the Dead, we are so aware of the sacred. Though fiction, ire'ne's prose seems to transform into chanting verse. -Dagoberto Gilb, author of Before the End, After the Beginning: StoriesIn her brilliant fiction debut, flesh to bone, ire'ne lara silva uses hauntingly lyrical language to tell stories cast in the Latin American tradition of Juan Rulfo and Maria Luisa Bombal. But, do not mistake this work for magical realism. The fantastical elements, raw voices, and shifting realities inhabit an emotional, psychological, and all-too-physical landscape of loss and violence. Life-affirming and intense, the stories sweep us into another world where we come face to face with the deepest truths. Brava! -Norma Cantu, author of Canicula: Snapshots of a Girlhood en la Frontera

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Autorenporträt
Judy Grahn is an internationally known poet, writer, and social theorist. She serves as executive core faculty and co-director of the Women's Spirituality Program at Sofia University in Palo Alto, CA. She also teaches Creative Inquiry and Creative Writing in the Writing, Consciousness, and Creative Inquiry Program at the California Institute of Integral Studies in San Francisco, where she earned her Ph.D. in Integral Studies with an emphasis in Women's Spirituality.

Her work has won several awards, including an NEA Grant, American Book Review Award, two American Book Awards, American Library Award, Lifetime Achievement Award (in Lesbian Letters), a Founding Foremothers of Women's Spirituality Award, and an Independent Publisher Book Award. The Publishing Triangle, an association of lesbians and gay men in publishing, established an award in her name: The Judy Grahn Award, recognizing the best non-fiction book of the year that resonates themes and issues affecting lesbian lives.

Grahn's works include Edward the Dyke and Other Poems (1971), She Who (1972), and A Woman is Talking to Death (1974), love belongs to those who do the feeling (2008), Another Mother Tongue; Gay Words, Gay Worlds (1984); Blood, Bread, and Roses: How Menstruation Created the World (1993), and Hanging On Our Own Bones (2017)