In Singing Sedition, Charles E. Brewer provides a thick cultural interpretation of the significance of Billings's texts and music through the use of both published and unpublished manuscript materials. An examination of sermons preached in Boston, Biblical commentaries, letters, diaries, and other sources clarifies the New England political theology expressed through Billings's creative adaptations of biblical texts and their evocative musical settings. From the Boston Massacre to the peace of 1783, Billings's music can be heard as the soundtrack of the American Revolution.
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