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"The single most daring thing I've seen in a theater in a long time." - Wesley Morris, New York Times The Old South lives on at the MacGregor Plantation-in the breeze, in the cotton fields…and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Slave Play rips apart history to shed new light on the nexus of race, gender, and sexuality in twenty-first-century America.
"The single most daring thing I've seen in a theater in a long time." - Wesley Morris, New York Times
The Old South lives on at the MacGregor Plantation-in the breeze, in the cotton fields…and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Slave Play rips apart history to shed new light on the nexus of race, gender, and sexuality in twenty-first-century America.
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Autorenporträt
Jeremy O. Harris's plays include Slave Play (New York Theatre Workshop, NYT Critics Pick, Winner of the 2018 Kennedy Center Rosa Parks Playwriting Award, the Lorraine Hansberry Playwriting Award, and The Lotos Foundation Prize in the Arts and Sciences), "DADDY" (Vineyard Theatre/The New Group), Xander Xyst, Dragon: 1, and WATER SPORTS; or insignificant white boys (published by 53rd State Press). His work has been presented or developed by Pieterspace, JACK, Ars Nova, The New Group, NYTW, Performance Space New York and Playwrights Horizons. In 2018, Harris co-wrote A24's upcoming film Zola with director Janicza Bravo. He is the 11th recipient of the Vineyard Theatre's Paula Vogel Playwrighting Award, a 2016 MacDowell Colony Fellow, an Orchard Project Greenhouse artist, a resident playwright with Colt Coeur, and is under commission from Lincoln Center Theater and Playwrights Horizons. Jeremy is a graduate of the Yale MFA Playwrighting Program.
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